When Churchyards Yawn, Arrow 1963 (ed. Lady Cynthia Asquith)

A little about the title of my blog. It is, of course, a line from a writer whose work went a long way to shaping the modern horror story, William Shakespeare. Now, there was an author that could craft a chilling tale. If you consider the psychological horror of Macbeth, the serial killer thriller of Richard III, the ghost story of Hamlet or the out and out splatter-fest of Titus Andronicus you realise that Shakespeare was a genre writer through and through (…ok, he liked to do the odd rom-com too, but we’ll forgive him that).

I saw an RSC production of Titus Andronicus a year or so ago. So much blood!

So much blood!

The stage was awash with it, to the point of the bespattered audience members in the front row complaining to the management about the damage done to their clothes, not expecting a gentle evening of high culture to end in a veritable bloodbath.

So, back to the title of the blog. It comes from Hamlet:

Tis now the very witching time of night,
When churchyards yawn and hell itself breathes out
Contagion to this world: now could I drink hot blood,
And do such bitter business as the day
Would quake to look on.

But, as much as I love Shakespeare, this is a blog about mid-20th century horror paperbacks so I didn’t choose the title from Hamlet but from this anthology of ghost stories edited by Lady Cynthia Asquith:

when churchyards yawn copy

Now then, this book isn’t actually from my own collection. Well, it sort of is….it sits on the shelves along with my collection. I’ve collected these horror paperbacks since I was around 10 years old. They fascinated me. I would pick them up from jumble sales whenever I found them (…or whenever I could afford them (times were ‘ard back then)).

Anyway, skip forward ten years or so and I met the girl who was to become my wife. When I first walked into her bedroom her bookshelf stared me in the face…Peter Haining, Dennis Wheatley, Pan Horror, Fontana Ghosts…she had been collecting them since her childhood too! So this book rightly belongs to my wife, Samantha.

I’ve just read that paragraph back to myself. A young man walks into the bedroom of a young lady for the first time and all he can do is obsess about her bookshelf………and that’s not even a euphemism! Well, you play the hand you’re dealt, I suppose.

Contents

The Apple Tree – Elizabeth Bowen

A Little Ghost – Hugh Walpole

The Cotillon – L. P. Hartley

The Buick Saloon – Ann Bridge

A Threefold Cord… – Algernon Blackwood

Opening the Door – Arthur Machen

As In a Glass Dimly – Shane Leslie

The Horns of the Bull – W. S. Morrison

The Man Who Came Back – William Gerhardi

The Unbolted Door – Mrs. Belloc Lowndes

“John Gladwin Says…” – Oliver Onions

Our Feathered Friends – Philip MacDonald

“God Grante That She Lye Stille” – Cynthia Asquith

 

Edited by Lady Cynthia Asquith, this anthology was first published in hardback form by Hutchinson in 1931 and the stories included, although appearing in many anthologies in the following decades, would mostly have been first published here. It’s a classy line-up, Asquith usually stuck with a similar list of authors for her anthologies and, why not? When you can have a contents page like this, why go elsewhere?

The highlights of this anthology for me are The Cotillon by L. P. Hartley and Our Feathered Friends by Philip MacDonald.

Hartley is a master of portraying the dangerous subtext within passionate relationships, as in his novel The Go-Between, and he doesn’t disappoint here in this wonderfully gothic tale set during a masked dance in the middle of winter. 78 masked guests should be present at the dance but, after a sash window is discovered open with the snow blowing in, a 79th masked guest has arrived!

MacDonald offers a very simple tale but tells it in such a hypnotic way it can’t fail to draw the reader in. MacDonald has a very cinematic writing style and uses it well here, at the opening of the story the reader is viewing the two characters as small parts in a panoramic landscape and as the tension increases he slowly pans us in closer and closer until we’re right on top of the action at the gruesome denouement.

For anyone out there that’s new to early to mid-20th century supernatural fiction, you could do a lot worse than getting hold of Lady Cynthia’s anthologies. She breaks no new ground here, most of the authors are well established in their writing careers, but it is a good solid read nonetheless.

Told in the Dark – A Book of Uncanny Stories, Pan 1950 (ed. Herbert van Thal)

told in the dark cover

 

 

If you’re visiting this blog then it’s odds on that you already know about the Pan Books of Horror Stories, of course you do – we all know them, we all love them. They’re the cornerstone of the horror anthology world.

What do you mean, you don’t?

Ok then, they were a series of horror anthologies which ran between 1959 and 1989 edited by the great Herbert van Thal from the first edition in 1959 until his death in 1983. Clarence Paget took over the helm for the last few stragglers until they were put to rest on their 30th issue due to a general lack of interest, drop in quality and, let’s face it, short stories (especially horror short stories) just weren’t very fashionable any more.

It seems fitting to start the blog with Pan’s forerunner of the series. Told in the Dark – A Book of Uncanny Stories was published in 1950 and was created by Pan’s expert on Victorian literature and editor of their ‘English Novelists’ series, the same Herbert van Thal.

The cover illustration is by Hungarian born Val Biro who sadly died earlier this year.

And while we’re on the subject of illustrations and Pan books, y’know the Pan logo? The silhouetted Pan playing his pipe (in the image above)? That was designed by Mervyn Peake of Gormenghast fame, that was.

The contents are mostly Victorian and Edwardian classics and it’s perhaps easy to think of the selection as quite safe choices, they were all used again and again in various anthologies over the next couple of decades, but you have to remember that we’re still in the relatively early days of the paperback book here so they would have been quite new to most readers.

 

Contents

  • Mrs. Molesworth – The Shadow In The Moonlight
  • Phyllis Bentley – Beckermonds
  • Elizabeth Braddon – The Mystery At Fernwood
  • E. F. Benson – The Thing In The Hall
  • Wilkie Collins – The Dead hand
  • Marjorie Bowen – The Prescription
  • Catherine Crowe – The Italian’s Story
  • Ann Bridge – The Accident
  • Charles Dickens – The Signal-man
  • Mrs. Riddell – Old Mrs. Jones
  • Sir Hugh Walpole – The Silver Mask