See You Next Wednesday ~ 6

All of these old paperback books I keep harping on about have been a part of my life for the last thirty five years or so. The stories in them are so familiar to me that I sometimes forget that they might be fresh to others. So, each Wednesday I thought I’d share some of my favourites (at least, the out of copyright ones), illustrated with photographs from an even bigger part of my life, Samantha Webster.

Tonight we have another classic, this time from Charles Dickens. A simple two-hander placed in the claustrophobic setting of a dank railway cutting, right next to the gaping entrance of a tunnel. It’s worth remembering that when this was written the railway network was still a very new invention so, although we can’t help but view this with modern eyes, in Victorian terms it is very much a technological horror. In fact, it is thought to be inspired by a real-life event which took place five years prior to publishing at Clayton Tunnel in Essex.

T H E   S I G N A L – M A N

~

C h a r l e s   D i c k e n s

 

“Halloa! Below there!”

When he heard a voice thus calling to him, he was standing at the
door of his box, with a flag in his hand, furled round its short
pole. One would have thought, considering the nature of the ground,
that he could not have doubted from what quarter the voice came; but
instead of looking up to where I stood on the top of the steep
cutting nearly over his head, he turned himself about, and looked
down the Line. There was something remarkable in his manner of
doing so, though I could not have said for my life what. But I know
it was remarkable enough to attract my notice, even though his
figure was foreshortened and shadowed, down in the deep trench, and
mine was high above him, so steeped in the glow of an angry sunset,
that I had shaded my eyes with my hand before I saw him at all.

“Halloa! Below!”

From looking down the Line, he turned himself about again, and,
raising his eyes, saw my figure high above him.

“Is there any path by which I can come down and speak to you?”

He looked up at me without replying, and I looked down at him
without pressing him too soon with a repetition of my idle question.
Just then there came a vague vibration in the earth and air, quickly
changing into a violent pulsation, and an oncoming rush that caused
me to start back, as though it had force to draw me down. When such
vapour as rose to my height from this rapid train had passed me, and
was skimming away over the landscape, I looked down again, and saw
him refurling the flag he had shown while the train went by.

I repeated my inquiry. After a pause, during which he seemed to
regard me with fixed attention, he motioned with his rolled-up flag
towards a point on my level, some two or three hundred yards
distant. I called down to him, “All right!” and made for that
point. There, by dint of looking closely about me, I found a rough
zigzag descending path notched out, which I followed.

The cutting was extremely deep, and unusually precipitate. It was
made through a clammy stone, that became oozier and wetter as I went
down. For these reasons, I found the way long enough to give me
time to recall a singular air of reluctance or compulsion with which
he had pointed out the path.

When I came down low enough upon the zigzag descent to see him
again, I saw that he was standing between the rails on the way by
which the train had lately passed, in an attitude as if he were
waiting for me to appear. He had his left hand at his chin, and
that left elbow rested on his right hand, crossed over his breast.
His attitude was one of such expectation and watchfulness that I
stopped a moment, wondering at it.

c

I resumed my downward way, and stepping out upon the level of the
railroad, and drawing nearer to him, saw that he was a dark sallow
man, with a dark beard and rather heavy eyebrows. His post was in
as solitary and dismal a place as ever I saw. On either side, a
dripping-wet wall of jagged stone, excluding all view but a strip of
sky; the perspective one way only a crooked prolongation of this
great dungeon; the shorter perspective in the other direction
terminating in a gloomy red light, and the gloomier entrance to a
black tunnel, in whose massive architecture there was a barbarous,
depressing, and forbidding air. So little sunlight ever found its
way to this spot, that it had an earthy, deadly smell; and so much
cold wind rushed through it, that it struck chill to me, as if I had
left the natural world.

Before he stirred, I was near enough to him to have touched him.
Not even then removing his eyes from mine, he stepped back one step,
and lifted his hand.

This was a lonesome post to occupy (I said), and it had riveted my
attention when I looked down from up yonder. A visitor was a
rarity, I should suppose; not an unwelcome rarity, I hoped? In me,
he merely saw a man who had been shut up within narrow limits all
his life, and who, being at last set free, had a newly-awakened
interest in these great works. To such purpose I spoke to him; but
I am far from sure of the terms I used; for, besides that I am not
happy in opening any conversation, there was something in the man
that daunted me.

He directed a most curious look towards the red light near the
tunnel’s mouth, and looked all about it, as if something were
missing from it, and then looked it me.

That light was part of his charge? Was it not?

He answered in a low voice,–“Don’t you know it is?”

The monstrous thought came into my mind, as I perused the fixed eyes
and the saturnine face, that this was a spirit, not a man. I have
speculated since, whether there may have been infection in his mind.

In my turn, I stepped back. But in making the action, I detected in
his eyes some latent fear of me. This put the monstrous thought to
flight.

“You look at me,” I said, forcing a smile, “as if you had a dread of
me.”

“I was doubtful,” he returned, “whether I had seen you before.”

“Where?”

He pointed to the red light he had looked at.

“There?” I said.

Intently watchful of me, he replied (but without sound), “Yes.”

“My good fellow, what should I do there? However, be that as it
may, I never was there, you may swear.”

“I think I may,” he rejoined. “Yes; I am sure I may.”

His manner cleared, like my own. He replied to my remarks with
readiness, and in well-chosen words. Had he much to do there? Yes;
that was to say, he had enough responsibility to bear; but exactness
and watchfulness were what was required of him, and of actual work–
manual labour–he had next to none. To change that signal, to trim
those lights, and to turn this iron handle now and then, was all he
had to do under that head. Regarding those many long and lonely
hours of which I seemed to make so much, he could only say that the
routine of his life had shaped itself into that form, and he had
grown used to it. He had taught himself a language down here,–if
only to know it by sight, and to have formed his own crude ideas of
its pronunciation, could be called learning it. He had also worked
at fractions and decimals, and tried a little algebra; but he was,
and had been as a boy, a poor hand at figures. Was it necessary for
him when on duty always to remain in that channel of damp air, and
could he never rise into the sunshine from between those high stone
walls? Why, that depended upon times and circumstances. Under some
conditions there would be less upon the Line than under others, and
the same held good as to certain hours of the day and night. In
bright weather, he did choose occasions for getting a little above
these lower shadows; but, being at all times liable to be called by
his electric bell, and at such times listening for it with redoubled
anxiety, the relief was less than I would suppose.

He took me into his box, where there was a fire, a desk for an
official book in which he had to make certain entries, a telegraphic
instrument with its dial, face, and needles, and the little bell of
which he had spoken. On my trusting that he would excuse the remark
that he had been well educated, and (I hoped I might say without
offence) perhaps educated above that station, he observed that
instances of slight incongruity in such wise would rarely be found
wanting among large bodies of men; that he had heard it was so in
workhouses, in the police force, even in that last desperate
resource, the army; and that he knew it was so, more or less, in any
great railway staff. He had been, when young (if I could believe
it, sitting in that hut,–he scarcely could), a student of natural
philosophy, and had attended lectures; but he had run wild, misused
his opportunities, gone down, and never risen again. He had no
complaint to offer about that. He had made his bed, and he lay upon
it. It was far too late to make another.

All that I have here condensed he said in a quiet manner, with his
grave dark regards divided between me and the fire. He threw in the
word, “Sir,” from time to time, and especially when he referred to
his youth,–as though to request me to understand that he claimed to
be nothing but what I found him. He was several times interrupted
by the little bell, and had to read off messages, and send replies.
Once he had to stand without the door, and display a flag as a train
passed, and make some verbal communication to the driver. In the
discharge of his duties, I observed him to be remarkably exact and
vigilant, breaking off his discourse at a syllable, and remaining
silent until what he had to do was done.

In a word, I should have set this man down as one of the safest of
men to be employed in that capacity, but for the circumstance that
while he was speaking to me he twice broke off with a fallen colour,
turned his face towards the little bell when it did NOT ring, opened
the door of the hut (which was kept shut to exclude the unhealthy
damp), and looked out towards the red light near the mouth of the
tunnel. On both of those occasions, he came back to the fire with
the inexplicable air upon him which I had remarked, without being
able to define, when we were so far asunder.

Said I, when I rose to leave him, “You almost make me think that I
have met with a contented man.”

(I am afraid I must acknowledge that I said it to lead him on.)

“I believe I used to be so,” he rejoined, in the low voice in which
he had first spoken; “but I am troubled, sir, I am troubled.”

He would have recalled the words if he could. He had said them,
however, and I took them up quickly.

“With what? What is your trouble?”

“It is very difficult to impart, sir. It is very, very difficult to
speak of. If ever you make me another visit, I will try to tell
you.”

“But I expressly intend to make you another visit. Say, when shall
it be?”

“I go off early in the morning, and I shall be on again at ten to-
morrow night, sir.”

“I will come at eleven.”

He thanked me, and went out at the door with me. “I’ll show my
white light, sir,” he said, in his peculiar low voice, “till you
have found the way up. When you have found it, don’t call out! And
when you are at the top, don’t call out!”

His manner seemed to make the place strike colder to me, but I said
no more than, “Very well.”

“And when you come down to-morrow night, don’t call out! Let me ask
you a parting question. What made you cry, ‘Halloa! Below there!’
to-night?”

“Heaven knows,” said I. “I cried something to that effect–”

“Not to that effect, sir. Those were the very words. I know them
well.”

“Admit those were the very words. I said them, no doubt, because I
saw you below.”

“For no other reason?”

“What other reason could I possibly have?”

“You had no feeling that they were conveyed to you in any
supernatural way?”

“No.”

He wished me good-night, and held up his light. I walked by the
side of the down Line of rails (with a very disagreeable sensation
of a train coming behind me) until I found the path. It was easier
to mount than to descend, and I got back to my inn without any
adventure.

a

Punctual to my appointment, I placed my foot on the first notch of
the zigzag next night, as the distant clocks were striking eleven.
He was waiting for me at the bottom, with his white light on. “I
have not called out,” I said, when we came close together; “may I
speak now?” “By all means, sir.” “Good-night, then, and here’s my
hand.” “Good-night, sir, and here’s mine.” With that we walked
side by side to his box, entered it, closed the door, and sat down
by the fire.

“I have made up my mind, sir,” he began, bending forward as soon as
we were seated, and speaking in a tone but a little above a whisper,
“that you shall not have to ask me twice what troubles me. I took
you for some one else yesterday evening. That troubles me.”

“That mistake?”

“No. That some one else.”

“Who is it?”

“I don’t know.”

“Like me?”

“I don’t know. I never saw the face. The left arm is across the
face, and the right arm is waved,–violently waved. This way.”

I followed his action with my eyes, and it was the action of an arm
gesticulating, with the utmost passion and vehemence, “For God’s
sake, clear the way!”

“One moonlight night,” said the man, “I was sitting here, when I
heard a voice cry, ‘Halloa! Below there!’ I started up, looked
from that door, and saw this Some one else standing by the red light
near the tunnel, waving as I just now showed you. The voice seemed
hoarse with shouting, and it cried, ‘Look out! Look out!’ And then
attain, ‘Halloa! Below there! Look out!’ I caught up my lamp,
turned it on red, and ran towards the figure, calling, ‘What’s
wrong? What has happened? Where?’ It stood just outside the
blackness of the tunnel. I advanced so close upon it that I
wondered at its keeping the sleeve across its eyes. I ran right up
at it, and had my hand stretched out to pull the sleeve away, when
it was gone.”

“Into the tunnel?” said I.

“No. I ran on into the tunnel, five hundred yards. I stopped, and
held my lamp above my head, and saw the figures of the measured
distance, and saw the wet stains stealing down the walls and
trickling through the arch. I ran out again faster than I had run
in (for I had a mortal abhorrence of the place upon me), and I
looked all round the red light with my own red light, and I went up
the iron ladder to the gallery atop of it, and I came down again,
and ran back here. I telegraphed both ways, ‘An alarm has been
given. Is anything wrong?’ The answer came back, both ways, ‘All
well.'”

Resisting the slow touch of a frozen finger tracing out my spine, I
showed him how that this figure must be a deception of his sense of
sight; and how that figures, originating in disease of the delicate
nerves that minister to the functions of the eye, were known to have
often troubled patients, some of whom had become conscious of the
nature of their affliction, and had even proved it by experiments
upon themselves. “As to an imaginary cry,” said I, “do but listen
for a moment to the wind in this unnatural valley while we speak so
low, and to the wild harp it makes of the telegraph wires.”

That was all very well, he returned, after we had sat listening for
a while, and he ought to know something of the wind and the wires,–
he who so often passed long winter nights there, alone and watching.
But he would beg to remark that he had not finished.

I asked his pardon, and he slowly added these words, touching my
arm, –

“Within six hours after the Appearance, the memorable accident on
this Line happened, and within ten hours the dead and wounded were
brought along through the tunnel over the spot where the figure had
stood.”

A disagreeable shudder crept over me, but I did my best against it.
It was not to be denied, I rejoined, that this was a remarkable
coincidence, calculated deeply to impress his mind. But it was
unquestionable that remarkable coincidences did continually occur,
and they must be taken into account in dealing with such a subject.
Though to be sure I must admit, I added (for I thought I saw that he
was going to bring the objection to bear upon me), men of common
sense did not allow much for coincidences in making the ordinary
calculations of life.

He again begged to remark that he had not finished.

I again begged his pardon for being betrayed into interruptions.

“This,” he said, again laying his hand upon my arm, and glancing
over his shoulder with hollow eyes, “was just a year ago. Six or
seven months passed, and I had recovered from the surprise and
shock, when one morning, as the day was breaking, I, standing at the
door, looked towards the red light, and saw the spectre again.” He
stopped, with a fixed look at me.

“Did it cry out?”

“No. It was silent.”

“Did it wave its arm?”

“No. It leaned against the shaft of the light, with both hands
before the face. Like this.”

Once more I followed his action with my eyes. It was an action of
mourning. I have seen such an attitude in stone figures on tombs.

“Did you go up to it?”

“I came in and sat down, partly to collect my thoughts, partly
because it had turned me faint. When I went to the door again,
daylight was above me, and the ghost was gone.”

“But nothing followed? Nothing came of this?”

He touched me on the arm with his forefinger twice or thrice giving
a ghastly nod each time:-

“That very day, as a train came out of the tunnel, I noticed, at a
carriage window on my side, what looked like a confusion of hands
and heads, and something waved. I saw it just in time to signal the
driver, Stop! He shut off, and put his brake on, but the train
drifted past here a hundred and fifty yards or more. I ran after
it, and, as I went along, heard terrible screams and cries. A
beautiful young lady had died instantaneously in one of the
compartments, and was brought in here, and laid down on this floor
between us.”

Involuntarily I pushed my chair back, as I looked from the boards at
which he pointed to himself.

“True, sir. True. Precisely as it happened, so I tell it you.”

I could think of nothing to say, to any purpose, and my mouth was
very dry. The wind and the wires took up the story with a long
lamenting wail.

He resumed. “Now, sir, mark this, and judge how my mind is
troubled. The spectre came back a week ago. Ever since, it has
been there, now and again, by fits and starts.”

“At the light?”

“At the Danger-light.”

“What does it seem to do?”

He repeated, if possible with increased passion and vehemence, that
former gesticulation of, “For God’s sake, clear the way!”

Then he went on. “I have no peace or rest for it. It calls to me,
for many minutes together, in an agonised manner, ‘Below there!
Look out! Look out!’ It stands waving to me. It rings my little
bell–”

I caught at that. “Did it ring your bell yesterday evening when I
was here, and you went to the door?”

“Twice.”

“Why, see,” said I, “how your imagination misleads you. My eyes
were on the bell, and my ears were open to the bell, and if I am a
living man, it did NOT ring at those times. No, nor at any other
time, except when it was rung in the natural course of physical
things by the station communicating with you.”

He shook his head. “I have never made a mistake as to that yet, sir.
I have never confused the spectre’s ring with the man’s. The
ghost’s ring is a strange vibration in the bell that it derives from
nothing else, and I have not asserted that the bell stirs to the
eye. I don’t wonder that you failed to hear it. But I heard it.”

“And did the spectre seem to be there, when you looked out?”

“It WAS there.”‘

“Both times?”

He repeated firmly: “Both times.”

“Will you come to the door with me, and look for it now?”

He bit his under lip as though he were somewhat unwilling, but
arose. I opened the door, and stood on the step, while he stood in
the doorway. There was the Danger-light. There was the dismal
mouth of the tunnel. There were the high, wet stone walls of the
cutting. There were the stars above them.

“Do you see it?” I asked him, taking particular note of his face.
His eyes were prominent and strained, but not very much more so,
perhaps, than my own had been when I had directed them earnestly
towards the same spot.

“No,” he answered. “It is not there.”

“Agreed,” said I.

We went in again, shut the door, and resumed our seats. I was
thinking how best to improve this advantage, if it might be called
one, when he took up the conversation in such a matter-of-course
way, so assuming that there could be no serious question of fact
between us, that I felt myself placed in the weakest of positions.

“By this time you will fully understand, sir,” he said, “that what
troubles me so dreadfully is the question, What does the spectre
mean?”

I was not sure, I told him, that I did fully understand.

“What is its warning against?” he said, ruminating, with his eyes on
the fire, and only by times turning them on me. “What is the
danger? Where is the danger? There is danger overhanging somewhere
on the Line. Some dreadful calamity will happen. It is not to be
doubted this third time, after what has gone before. But surely
this is a cruel haunting of me. What can I do?”

He pulled out his handkerchief, and wiped the drops from his heated
forehead.

“If I telegraph Danger, on either side of me, or on both, I can give
no reason for it,” he went on, wiping the palms of his hands. “I
should get into trouble, and do no good. They would think I was
mad. This is the way it would work,–Message: ‘Danger! Take
care!’ Answer: ‘What Danger? Where?’ Message: ‘Don’t know.
But, for God’s sake, take care!’ They would displace me. What else
could they do?”

His pain of mind was most pitiable to see. It was the mental
torture of a conscientious man, oppressed beyond endurance by an
unintelligible responsibility involving life.

“When it first stood under the Danger-light,” he went on, putting
his dark hair back from his head, and drawing his hands outward
across and across his temples in an extremity of feverish distress,
“why not tell me where that accident was to happen,–if it must
happen? Why not tell me how it could be averted,–if it could have
been averted? When on its second coming it hid its face, why not
tell me, instead, ‘She is going to die. Let them keep her at home’?
If it came, on those two occasions, only to show me that its
warnings were true, and so to prepare me for the third, why not warn
me plainly now? And I, Lord help me! A mere poor signal-man on
this solitary station! Why not go to somebody with credit to be
believed, and power to act?”

When I saw him in this state, I saw that for the poor man’s sake, as
well as for the public safety, what I had to do for the time was to
compose his mind. Therefore, setting aside all question of reality
or unreality between us, I represented to him that whoever
thoroughly discharged his duty must do well, and that at least it
was his comfort that he understood his duty, though he did not
understand these confounding Appearances. In this effort I
succeeded far better than in the attempt to reason him out of his
conviction. He became calm; the occupations incidental to his post
as the night advanced began to make larger demands on his attention:
and I left him at two in the morning. I had offered to stay through
the night, but he would not hear of it.

That I more than once looked back at the red light as I ascended the
pathway, that I did not like the red light, and that I should have
slept but poorly if my bed had been under it, I see no reason to
conceal. Nor did I like the two sequences of the accident and the
dead girl. I see no reason to conceal that either.

But what ran most in my thoughts was the consideration how ought I
to act, having become the recipient of this disclosure? I had
proved the man to be intelligent, vigilant, painstaking, and exact;
but how long might he remain so, in his state of mind? Though in a
subordinate position, still he held a most important trust, and
would I (for instance) like to stake my own life on the chances of
his continuing to execute it with precision?

Unable to overcome a feeling that there would be something
treacherous in my communicating what he had told me to his superiors
in the Company, without first being plain with himself and proposing
a middle course to him, I ultimately resolved to offer to accompany
him (otherwise keeping his secret for the present) to the wisest
medical practitioner we could hear of in those parts, and to take
his opinion. A change in his time of duty would come round next
night, he had apprised me, and he would be off an hour or two after
sunrise, and on again soon after sunset. I had appointed to return
accordingly.

Next evening was a lovely evening, and I walked out early to enjoy
it. The sun was not yet quite down when I traversed the field-path
near the top of the deep cutting. I would extend my walk for an
hour, I said to myself, half an hour on and half an hour back, and
it would then be time to go to my signal-man’s box.

Before pursuing my stroll, I stepped to the brink, and mechanically
looked down, from the point from which I had first seen him. I
cannot describe the thrill that seized upon me, when, close at the
mouth of the tunnel, I saw the appearance of a man, with his left
sleeve across his eyes, passionately waving his right arm.

The nameless horror that oppressed me passed in a moment, for in a
moment I saw that this appearance of a man was a man indeed, and
that there was a little group of other men, standing at a short
distance, to whom he seemed to be rehearsing the gesture he made.
The Danger-light was not yet lighted. Against its shaft, a little
low hut, entirely new to me, had been made of some wooden supports
and tarpaulin. It looked no bigger than a bed.

With an irresistible sense that something was wrong,–with a
flashing self-reproachful fear that fatal mischief had come of my
leaving the man there, and causing no one to be sent to overlook or
correct what he did,–I descended the notched path with all the
speed I could make.

“What is the matter?” I asked the men.

“Signal-man killed this morning, sir.”

“Not the man belonging to that box?”

“Yes, sir.”

“Not the man I know?”

“You will recognise him, sir, if you knew him,” said the man who
spoke for the others, solemnly uncovering his own head, and raising
an end of the tarpaulin, “for his face is quite composed.”

“O, how did this happen, how did this happen?” I asked, turning from
one to another as the hut closed in again.

“He was cut down by an engine, sir. No man in England knew his work
better. But somehow he was not clear of the outer rail. It was
just at broad day. He had struck the light, and had the lamp in his
hand. As the engine came out of the tunnel, his back was towards
her, and she cut him down. That man drove her, and was showing how
it happened. Show the gentleman, Tom.”

The man, who wore a rough dark dress, stepped back to his former
place at the mouth of the tunnel.

“Coming round the curve in the tunnel, sir,” he said, “I saw him at
the end, like as if I saw him down a perspective-glass. There was
no time to check speed, and I knew him to be very careful. As he
didn’t seem to take heed of the whistle, I shut it off when we were
running down upon him, and called to him as loud as I could call.”

“What did you say?”

“I said, ‘Below there! Look out! Look out! For God’s sake, clear
the way!'”

I started.

“Ah! it was a dreadful time, sir. I never left off calling to him.
I put this arm before my eyes not to see, and I waved this arm to
the last; but it was no use.”

Without prolonging the narrative to dwell on any one of its curious
circumstances more than on any other, I may, in closing it, point
out the coincidence that the warning of the Engine-Driver included,
not only the words which the unfortunate Signal-man had repeated to
me as haunting him, but also the words which I myself–not he–had
attached, and that only in my own mind, to the gesticulation he had
imitated.

b

See You Next Wednesday ~ 5

All of these old paperback books I keep harping on about have been a part of my life for the last thirty five years or so. The stories in them are so familiar to me that I sometimes forget that they might be fresh to others. So, each Wednesday I thought I’d share some of my favourites (at least, the out of copyright ones), illustrated with photographs from an even bigger part of my life, Samantha Webster.

This week we’re going for a classic haunted house tale, but this is Lovecraft’s take on a classic haunted house tale so we’re taken somewhere a little . . . different!

The Shunned House

~

H. P. Lovecraft

I.

From even the greatest of horrors irony is seldom absent. Sometimes it enters directly into the composition of the events, while sometimes it relates only to their fortuitous position among persons and places. The latter sort is splendidly exemplified by a case in the ancient city of Providence, where in the late forties Edgar Allan Poe used to sojourn often during his unsuccessful wooing of the gifted poetess, Mrs. Whitman. Poe generally stopped at the Mansion House in Benefit Street—the renamed Golden Ball Inn whose roof has sheltered Washington, Jefferson, and Lafayette—and his favourite walk led northward along the same street to Mrs. Whitman’s home and the neighbouring hillside churchyard of St. John’s, whose hidden expanse of eighteenth-century gravestones had for him a peculiar fascination.
Now the irony is this. In this walk, so many times repeated, the world’s greatest master of the terrible and the bizarre was obliged to pass a particular house on the eastern side of the street; a dingy, antiquated structure perched on the abruptly rising side-hill, with a great unkempt yard dating from a time when the region was partly open country. It does not appear that he ever wrote or spoke of it, nor is there any evidence that he even noticed it. And yet that house, to the two persons in possession of certain information, equals or outranks in horror the wildest phantasy of the genius who so often passed it unknowingly, and stands starkly leering as a symbol of all that is unutterably hideous.
The house was—and for that matter still is—of a kind to attract the attention of the curious. Originally a farm or semi-farm building, it followed the average New England colonial lines of the middle eighteenth century—the prosperous peaked-roof sort, with two stories and dormerless attic, and with the Georgian doorway and interior panelling dictated by the progress of taste at that time. It faced south, with one gable end buried to the lower windows in the eastward rising hill, and the other exposed to the foundations toward the street. Its construction, over a century and a half ago, had followed the grading and straightening of the road in that especial vicinity; for Benefit Street—at first called Back Street—was laid out as a lane winding amongst the graveyards of the first settlers, and straightened only when the removal of the bodies to the North Burial Ground made it decently possible to cut through the old family plots.
At the start, the western wall had lain some twenty feet up a precipitous lawn from the roadway; but a widening of the street at about the time of the Revolution sheared off most of the intervening space, exposing the foundations so that a brick basement wall had to be made, giving the deep cellar a street frontage with door and two windows above ground, close to the new line of public travel. When the sidewalk was laid out a century ago the last of the intervening space was removed; and Poe in his walks must have seen only a sheer ascent of dull grey brick flush with the sidewalk and surmounted at a height of ten feet by the antique shingled bulk of the house proper.
The farm-like grounds extended back very deeply up the hill, almost to Wheaton Street. The space south of the house, abutting on Benefit Street, was of course greatly above the existing sidewalk level, forming a terrace bounded by a high bank wall of damp, mossy stone pierced by a steep flight of narrow steps which led inward between canyon-like surfaces to the upper region of mangy lawn, rheumy brick walls, and neglected gardens whose dismantled cement urns, rusted kettles fallen from tripods of knotty sticks, and similar paraphernalia set off the weather-beaten front door with its broken fanlight, rotting Ionic pilasters, and wormy triangular pediment.
What I heard in my youth about the shunned house was merely that people died there in alarmingly great numbers. That, I was told, was why the original owners had moved out some twenty years after building the place. It was plainly unhealthy, perhaps because of the dampness and fungous growth in the cellar, the general sickish smell, the draughts of the hallways, or the quality of the well and pump water. These things were bad enough, and these were all that gained belief among the persons whom I knew. Only the notebooks of my antiquarian uncle, Dr. Elihu Whipple, revealed to me at length the darker, vaguer surmises which formed an undercurrent of folklore among old-time servants and humble folk; surmises which never travelled far, and which were largely forgotten when Providence grew to be a metropolis with a shifting modern population.
The general fact is, that the house was never regarded by the solid part of the community as in any real sense “haunted”. There were no widespread tales of rattling chains, cold currents of air, extinguished lights, or faces at the window. Extremists sometimes said the house was “unlucky”, but that is as far as even they went. What was really beyond dispute is that a frightful proportion of persons died there; or more accurately, had died there, since after some peculiar happenings over sixty years ago the building had become deserted through the sheer impossibility of renting it. These persons were not all cut off suddenly by any one cause; rather did it seem that their vitality was insidiously sapped, so that each one died the sooner from whatever tendency to weakness he may have naturally had. And those who did not die displayed in varying degree a type of anaemia or consumption, and sometimes a decline of the mental faculties, which spoke ill for the salubriousness of the building. Neighbouring houses, it must be added, seemed entirely free from the noxious quality.
This much I knew before my insistent questioning led my uncle to shew me the notes which finally embarked us both on our hideous investigation. In my childhood the shunned house was vacant, with barren, gnarled, and terrible old trees, long, queerly pale grass, and nightmarishly misshapen weeds in the high terraced yard where birds never lingered. We boys used to overrun the place, and I can still recall my youthful terror not only at the morbid strangeness of this sinister vegetation, but at the eldritch atmosphere and odour of the dilapidated house, whose unlocked front door was often entered in quest of shudders. The small-paned windows were largely broken, and a nameless air of desolation hung round the precarious panelling, shaky interior shutters, peeling wall-paper, falling plaster, rickety staircases, and such fragments of battered furniture as still remained. The dust and cobwebs added their touch of the fearful; and brave indeed was the boy who would voluntarily ascend the ladder to the attic, a vast raftered length lighted only by small blinking windows in the gable ends, and filled with a massed wreckage of chests, chairs, and spinning-wheels which infinite years of deposit had shrouded and festooned into monstrous and hellish shapes.
But after all, the attic was not the most terrible part of the house. It was the dank, humid cellar which somehow exerted the strongest repulsion on us, even though it was wholly above ground on the street side, with only a thin door and window-pierced brick wall to separate it from the busy sidewalk. We scarcely knew whether to haunt it in spectral fascination, or to shun it for the sake of our souls and our sanity. For one thing, the bad odour of the house was strongest there; and for another thing, we did not like the white fungous growths which occasionally sprang up in rainy summer weather from the hard earth floor. Those fungi, grotesquely like the vegetation in the yard outside, were truly horrible in their outlines; detestable parodies of toadstools and Indian pipes, whose like we had never seen in any other situation. They rotted quickly, and at one stage became slightly phosphorescent; so that nocturnal passers-by sometimes spoke of witch-fires glowing behind the broken panes of the foetor-spreading windows.
We never—even in our wildest Hallowe’en moods—visited this cellar by night, but in some of our daytime visits could detect the phosphorescence, especially when the day was dark and wet. There was also a subtler thing we often thought we detected—a very strange thing which was, however, merely suggestive at most. I refer to a sort of cloudy whitish pattern on the dirt floor—a vague, shifting deposit of mould or nitre which we sometimes thought we could trace amidst the sparse fungous growths near the huge fireplace of the basement kitchen. Once in a while it struck us that this patch bore an uncanny resemblance to a doubled-up human figure, though generally no such kinship existed, and often there was no whitish deposit whatever. On a certain rainy afternoon when this illusion seemed phenomenally strong, and when, in addition, I had fancied I glimpsed a kind of thin, yellowish, shimmering exhalation rising from the nitrous pattern toward the yawning fireplace, I spoke to my uncle about the matter. He smiled at this odd conceit, but it seemed that his smile was tinged with reminiscence. Later I heard that a similar notion entered into some of the wild ancient tales of the common folk—a notion likewise alluding to ghoulish, wolfish shapes taken by smoke from the great chimney, and queer contours assumed by certain of the sinuous tree-roots that thrust their way into the cellar through the loose foundation-stones.

S2

 

II.

Not till my adult years did my uncle set before me the notes and data which he had collected concerning the shunned house. Dr. Whipple was a sane, conservative physician of the old school, and for all his interest in the place was not eager to encourage young thoughts toward the abnormal. His own view, postulating simply a building and location of markedly unsanitary qualities, had nothing to do with abnormality; but he realised that the very picturesqueness which aroused his own interest would in a boy’s fanciful mind take on all manner of gruesome imaginative associations.
The doctor was a bachelor; a white-haired, clean-shaven, old-fashioned gentleman, and a local historian of note, who had often broken a lance with such controversial guardians of tradition as Sidney S. Rider and Thomas W. Bicknell. He lived with one manservant in a Georgian homestead with knocker and iron-railed steps, balanced eerily on a steep ascent of North Court Street beside the ancient brick court and colony house where his grandfather—a cousin of that celebrated privateersman, Capt. Whipple, who burnt His Majesty’s armed schooner Gaspee in 1772—had voted in the legislature on May 4, 1776, for the independence of the Rhode Island Colony. Around him in the damp, low-ceiled library with the musty white panelling, heavy carved overmantel, and small-paned, vine-shaded windows, were the relics and records of his ancient family, among which were many dubious allusions to the shunned house in Benefit Street. That pest spot lies not far distant—for Benefit runs ledgewise just above the court-house along the precipitous hill up which the first settlement climbed.
When, in the end, my insistent pestering and maturing years evoked from my uncle the hoarded lore I sought, there lay before me a strange enough chronicle. Long-winded, statistical, and drearily genealogical as some of the matter was, there ran through it a continuous thread of brooding, tenacious horror and preternatural malevolence which impressed me even more than it had impressed the good doctor. Separate events fitted together uncannily, and seemingly irrelevant details held mines of hideous possibilities. A new and burning curiosity grew in me, compared to which my boyish curiosity was feeble and inchoate. The first revelation led to an exhaustive research, and finally to that shuddering quest which proved so disastrous to myself and mine. For at last my uncle insisted on joining the search I had commenced, and after a certain night in that house he did not come away with me. I am lonely without that gentle soul whose long years were filled only with honour, virtue, good taste, benevolence, and learning. I have reared a marble urn to his memory in St. John’s churchyard—the place that Poe loved—the hidden grove of giant willows on the hill, where tombs and headstones huddle quietly between the hoary bulk of the church and the houses and bank walls of Benefit Street.
The history of the house, opening amidst a maze of dates, revealed no trace of the sinister either about its construction or about the prosperous and honourable family who built it. Yet from the first a taint of calamity, soon increased to boding significance, was apparent. My uncle’s carefully compiled record began with the building of the structure in 1763, and followed the theme with an unusual amount of detail. The shunned house, it seems, was first inhabited by William Harris and his wife Rhoby Dexter, with their children, Elkanah, born in 1755, Abigail, born in 1757, William, Jr., born in 1759, and Ruth, born in 1761. Harris was a substantial merchant and seaman in the West India trade, connected with the firm of Obadiah Brown and his nephews. After Brown’s death in 1761, the new firm of Nicholas Brown & Co. made him master of the brig Prudence, Providence-built, of 120 tons, thus enabling him to erect the new homestead he had desired ever since his marriage.
The site he had chosen—a recently straightened part of the new and fashionable Back Street, which ran along the side of the hill above crowded Cheapside—was all that could be wished, and the building did justice to the location. It was the best that moderate means could afford, and Harris hastened to move in before the birth of a fifth child which the family expected. That child, a boy, came in December; but was still-born. Nor was any child to be born alive in that house for a century and a half.
The next April sickness occurred among the children, and Abigail and Ruth died before the month was over. Dr. Job Ives diagnosed the trouble as some infantile fever, though others declared it was more of a mere wasting-away or decline. It seemed, in any event, to be contagious; for Hannah Bowen, one of the two servants, died of it in the following June. Eli Liddeason, the other servant, constantly complained of weakness; and would have returned to his father’s farm in Rehoboth but for a sudden attachment for Mehitabel Pierce, who was hired to succeed Hannah. He died the next year—a sad year indeed, since it marked the death of William Harris himself, enfeebled as he was by the climate of Martinique, where his occupation had kept him for considerable periods during the preceding decade.
The widowed Rhoby Harris never recovered from the shock of her husband’s death, and the passing of her first-born Elkanah two years later was the final blow to her reason. In 1768 she fell victim to a mild form of insanity, and was thereafter confined to the upper part of the house; her elder maiden sister, Mercy Dexter, having moved in to take charge of the family. Mercy was a plain, raw-boned woman of great strength; but her health visibly declined from the time of her advent. She was greatly devoted to her unfortunate sister, and had an especial affection for her only surviving nephew William, who from a sturdy infant had become a sickly, spindling lad. In this year the servant Mehitabel died, and the other servant, Preserved Smith, left without coherent explanation—or at least, with only some wild tales and a complaint that he disliked the smell of the place. For a time Mercy could secure no more help, since the seven deaths and case of madness, all occurring within five years’ space, had begun to set in motion the body of fireside rumour which later became so bizarre. Ultimately, however, she obtained new servants from out of town; Ann White, a morose woman from that part of North Kingstown now set off as the township of Exeter, and a capable Boston man named Zenas Low.
It was Ann White who first gave definite shape to the sinister idle talk. Mercy should have known better than to hire anyone from the Nooseneck Hill country, for that remote bit of backwoods was then, as now, a seat of the most uncomfortable superstitions. As lately as 1892 an Exeter community exhumed a dead body and ceremoniously burnt its heart in order to prevent certain alleged visitations injurious to the public health and peace, and one may imagine the point of view of the same section in 1768. Ann’s tongue was perniciously active, and within a few months Mercy discharged her, filling her place with a faithful and amiable Amazon from Newport, Maria Robbins.
Meanwhile poor Rhoby Harris, in her madness, gave voice to dreams and imaginings of the most hideous sort. At times her screams became insupportable, and for long periods she would utter shrieking horrors which necessitated her son’s temporary residence with his cousin, Peleg Harris, in Presbyterian-Lane near the new college building. The boy would seem to improve after these visits, and had Mercy been as wise as she was well-meaning, she would have let him live permanently with Peleg. Just what Mrs. Harris cried out in her fits of violence, tradition hesitates to say; or rather, presents such extravagant accounts that they nullify themselves through sheer absurdity. Certainly it sounds absurd to hear that a woman educated only in the rudiments of French often shouted for hours in a coarse and idiomatic form of that language, or that the same person, alone and guarded, complained wildly of a staring thing which bit and chewed at her. In 1772 the servant Zenas died, and when Mrs. Harris heard of it she laughed with a shocking delight utterly foreign to her. The next year she herself died, and was laid to rest in the North Burial Ground beside her husband.
Upon the outbreak of trouble with Great Britain in 1775, William Harris, despite his scant sixteen years and feeble constitution, managed to enlist in the Army of Observation under General Greene; and from that time on enjoyed a steady rise in health and prestige. In 1780, as a Captain in Rhode Island forces in New Jersey under Colonel Angell, he met and married Phebe Hetfield of Elizabethtown, whom he brought to Providence upon his honourable discharge in the following year.
The young soldier’s return was not a thing of unmitigated happiness. The house, it is true, was still in good condition; and the street had been widened and changed in name from Back Street to Benefit Street. But Mercy Dexter’s once robust frame had undergone a sad and curious decay, so that she was now a stooped and pathetic figure with hollow voice and disconcerting pallor—qualities shared to a singular degree by the one remaining servant Maria. In the autumn of 1782 Phebe Harris gave birth to a still-born daughter, and on the fifteenth of the next May Mercy Dexter took leave of a useful, austere, and virtuous life.
William Harris, at last thoroughly convinced of the radically unhealthful nature of his abode, now took steps toward quitting it and closing it forever. Securing temporary quarters for himself and his wife at the newly opened Golden Ball Inn, he arranged for the building of a new and finer house in Westminster Street, in the growing part of the town across the Great Bridge. There, in 1785, his son Dutee was born; and there the family dwelt till the encroachments of commerce drove them back across the river and over the hill to Angell Street, in the newer East Side residence district, where the late Archer Harris built his sumptuous but hideous French-roofed mansion in 1876. William and Phebe both succumbed to the yellow fever epidemic of 1797, but Dutee was brought up by his cousin Rathbone Harris, Peleg’s son.
Rathbone was a practical man, and rented the Benefit Street house despite William’s wish to keep it vacant. He considered it an obligation to his ward to make the most of all the boy’s property, nor did he concern himself with the deaths and illnesses which caused so many changes of tenants, or the steadily growing aversion with which the house was generally regarded. It is likely that he felt only vexation when, in 1804, the town council ordered him to fumigate the place with sulphur, tar, and gum camphor on account of the much-discussed deaths of four persons, presumably caused by the then diminishing fever epidemic. They said the place had a febrile smell.
Dutee himself thought little of the house, for he grew up to be a privateersman, and served with distinction on the Vigilant under Capt. Cahoone in the War of 1812. He returned unharmed, married in 1814, and became a father on that memorable night of September 23, 1815, when a great gale drove the waters of the bay over half the town, and floated a tall sloop well up Westminster Street so that its masts almost tapped the Harris windows in symbolic affirmation that the new boy, Welcome, was a seaman’s son.
Welcome did not survive his father, but lived to perish gloriously at Fredericksburg in 1862. Neither he nor his son Archer knew of the shunned house as other than a nuisance almost impossible to rent—perhaps on account of the mustiness and sickly odour of unkempt old age. Indeed, it never was rented after a series of deaths culminating in 1861, which the excitement of the war tended to throw into obscurity. Carrington Harris, last of the male line, knew it only as a deserted and somewhat picturesque centre of legend until I told him my experience. He had meant to tear it down and build an apartment house on the site, but after my account decided to let it stand, install plumbing, and rent it. Nor has he yet had any difficulty in obtaining tenants. The horror has gone.

S3

III.

It may well be imagined how powerfully I was affected by the annals of the Harrises. In this continuous record there seemed to me to brood a persistent evil beyond anything in Nature as I had known it; an evil clearly connected with the house and not with the family. This impression was confirmed by my uncle’s less systematic array of miscellaneous data—legends transcribed from servant gossip, cuttings from the papers, copies of death-certificates by fellow-physicians, and the like. All of this material I cannot hope to give, for my uncle was a tireless antiquarian and very deeply interested in the shunned house; but I may refer to several dominant points which earn notice by their recurrence through many reports from diverse sources. For example, the servant gossip was practically unanimous in attributing to the fungous and malodorous cellar of the house a vast supremacy in evil influence. There had been servants—Ann White especially—who would not use the cellar kitchen, and at least three well-defined legends bore upon the queer quasi-human or diabolic outlines assumed by tree-roots and patches of mould in that region. These latter narratives interested me profoundly, on account of what I had seen in my boyhood, but I felt that most of the significance had in each case been largely obscured by additions from the common stock of local ghost lore.
Ann White, with her Exeter superstition, had promulgated the most extravagant and at the same time most consistent tale; alleging that there must lie buried beneath the house one of those vampires—the dead who retain their bodily form and live on the blood or breath of the living—whose hideous legions send their preying shapes or spirits abroad by night. To destroy a vampire one must, the grandmothers say, exhume it and burn its heart, or at least drive a stake through that organ; and Ann’s dogged insistence on a search under the cellar had been prominent in bringing about her discharge.
Her tales, however, commanded a wide audience, and were the more readily accepted because the house indeed stood on land once used for burial purposes. To me their interest depended less on this circumstance than on the peculiarly appropriate way in which they dovetailed with certain other things—the complaint of the departing servant Preserved Smith, who had preceded Ann and never heard of her, that something “sucked his breath” at night; the death-certificates of fever victims of 1804, issued by Dr. Chad Hopkins, and shewing the four deceased persons all unaccountably lacking in blood; and the obscure passages of poor Rhoby Harris’s ravings, where she complained of the sharp teeth of a glassy-eyed, half-visible presence.
Free from unwarranted superstition though I am, these things produced in me an odd sensation, which was intensified by a pair of widely separated newspaper cuttings relating to deaths in the shunned house—one from the Providence Gazette and Country-Journal of April 12, 1815, and the other from the Daily Transcript and Chronicle of October 27, 1845—each of which detailed an appallingly grisly circumstance whose duplication was remarkable. It seems that in both instances the dying person, in 1815 a gentle old lady named Stafford and in 1845 a school-teacher of middle age named Eleazar Durfee, became transfigured in a horrible way; glaring glassily and attempting to bite the throat of the attending physician. Even more puzzling, though, was the final case which put an end to the renting of the house—a series of anaemia deaths preceded by progressive madnesses wherein the patient would craftily attempt the lives of his relatives by incisions in the neck or wrist.
This was in 1860 and 1861, when my uncle had just begun his medical practice; and before leaving for the front he heard much of it from his elder professional colleagues. The really inexplicable thing was the way in which the victims—ignorant people, for the ill-smelling and widely shunned house could now be rented to no others—would babble maledictions in French, a language they could not possibly have studied to any extent. It made one think of poor Rhoby Harris nearly a century before, and so moved my uncle that he commenced collecting historical data on the house after listening, some time subsequent to his return from the war, to the first-hand account of Drs. Chase and Whitmarsh. Indeed, I could see that my uncle had thought deeply on the subject, and that he was glad of my own interest—an open-minded and sympathetic interest which enabled him to discuss with me matters at which others would merely have laughed. His fancy had not gone so far as mine, but he felt that the place was rare in its imaginative potentialities, and worthy of note as an inspiration in the field of the grotesque and macabre.
For my part, I was disposed to take the whole subject with profound seriousness, and began at once not only to review the evidence, but to accumulate as much more as I could. I talked with the elderly Archer Harris, then owner of the house, many times before his death in 1916; and obtained from him and his still surviving maiden sister Alice an authentic corroboration of all the family data my uncle had collected. When, however, I asked them what connexion with France or its language the house could have, they confessed themselves as frankly baffled and ignorant as I. Archer knew nothing, and all that Miss Harris could say was that an old allusion her grandfather, Dutee Harris, had heard of might have shed a little light. The old seaman, who had survived his son Welcome’s death in battle by two years, had not himself known the legend; but recalled that his earliest nurse, the ancient Maria Robbins, seemed darkly aware of something that might have lent a weird significance to the French ravings of Rhoby Harris, which she had so often heard during the last days of that hapless woman. Maria had been at the shunned house from 1769 till the removal of the family in 1783, and had seen Mercy Dexter die. Once she hinted to the child Dutee of a somewhat peculiar circumstance in Mercy’s last moments, but he had soon forgotten all about it save that it was something peculiar. The granddaughter, moreover, recalled even this much with difficulty. She and her brother were not so much interested in the house as was Archer’s son Carrington, the present owner, with whom I talked after my experience.
Having exhausted the Harris family of all the information it could furnish, I turned my attention to early town records and deeds with a zeal more penetrating than that which my uncle had occasionally shewn in the same work. What I wished was a comprehensive history of the site from its very settlement in 1636—or even before, if any Narragansett Indian legend could be unearthed to supply the data. I found, at the start, that the land had been part of the long strip of home lot granted originally to John Throckmorton; one of many similar strips beginning at the Town Street beside the river and extending up over the hill to a line roughly corresponding with the modern Hope Street. The Throckmorton lot had later, of course, been much subdivided; and I became very assiduous in tracing that section through which Back or Benefit Street was later run. It had, a rumour indeed said, been the Throckmorton graveyard; but as I examined the records more carefully, I found that the graves had all been transferred at an early date to the North Burial Ground on the Pawtucket West Road.
Then suddenly I came—by a rare piece of chance, since it was not in the main body of records and might easily have been missed—upon something which aroused my keenest eagerness, fitting in as it did with several of the queerest phases of the affair. It was the record of a lease, in 1697, of a small tract of ground to an Etienne Roulet and wife. At last the French element had appeared—that, and another deeper element of horror which the name conjured up from the darkest recesses of my weird and heterogeneous reading—and I feverishly studied the platting of the locality as it had been before the cutting through and partial straightening of Back Street between 1747 and 1758. I found what I had half expected, that where the shunned house now stood the Roulets had laid out their graveyard behind a one-story and attic cottage, and that no record of any transfer of graves existed. The document, indeed, ended in much confusion; and I was forced to ransack both the Rhode Island Historical Society and Shepley Library before I could find a local door which the name Etienne Roulet would unlock. In the end I did find something; something of such vague but monstrous import that I set about at once to examine the cellar of the shunned house itself with a new and excited minuteness.
The Roulets, it seemed, had come in 1696 from East Greenwich, down the west shore of Narragansett Bay. They were Huguenots from Caude, and had encountered much opposition before the Providence selectmen allowed them to settle in the town. Unpopularity had dogged them in East Greenwich, whither they had come in 1686, after the revocation of the Edict of Nantes, and rumour said that the cause of dislike extended beyond mere racial and national prejudice, or the land disputes which involved other French settlers with the English in rivalries which not even Governor Andros could quell. But their ardent Protestantism—too ardent, some whispered—and their evident distress when virtually driven from the village down the bay, had moved the sympathy of the town fathers. Here the strangers had been granted a haven; and the swarthy Etienne Roulet, less apt at agriculture than at reading queer books and drawing queer diagrams, was given a clerical post in the warehouse at Pardon Tillinghast’s wharf, far south in Town Street. There had, however, been a riot of some sort later on—perhaps forty years later, after old Roulet’s death—and no one seemed to hear of the family after that.
For a century and more, it appeared, the Roulets had been well remembered and frequently discussed as vivid incidents in the quiet life of a New England seaport. Etienne’s son Paul, a surly fellow whose erratic conduct had probably provoked the riot which wiped out the family, was particularly a source of speculation; and though Providence never shared the witchcraft panics of her Puritan neighbours, it was freely intimated by old wives that his prayers were neither uttered at the proper time nor directed toward the proper object. All this had undoubtedly formed the basis of the legend known by old Maria Robbins. What relation it had to the French ravings of Rhoby Harris and other inhabitants of the shunned house, imagination or future discovery alone could determine. I wondered how many of those who had known the legends realised that additional link with the terrible which my wide reading had given me; that ominous item in the annals of morbid horror which tells of the creature Jacques Roulet, of Caude, who in 1598 was condemned to death as a daemoniac but afterward saved from the stake by the Paris parliament and shut in a madhouse. He had been found covered with blood and shreds of flesh in a wood, shortly after the killing and rending of a boy by a pair of wolves. One wolf was seen to lope away unhurt. Surely a pretty hearthside tale, with a queer significance as to name and place; but I decided that the Providence gossips could not have generally known of it. Had they known, the coincidence of names would have brought some drastic and frightened action—indeed, might not its limited whispering have precipitated the final riot which erased the Roulets from the town?
I now visited the accursed place with increased frequency; studying the unwholesome vegetation of the garden, examining all the walls of the building, and poring over every inch of the earthen cellar floor. Finally, with Carrington Harris’s permission, I fitted a key to the disused door opening from the cellar directly upon Benefit Street, preferring to have a more immediate access to the outside world than the dark stairs, ground floor hall, and front door could give. There, where morbidity lurked most thickly, I searched and poked during long afternoons when the sunlight filtered in through the cobwebbed above-ground windows, and a sense of security glowed from the unlocked door which placed me only a few feet from the placid sidewalk outside. Nothing new rewarded my efforts—only the same depressing mustiness and faint suggestions of noxious odours and nitrous outlines on the floor—and I fancy that many pedestrians must have watched me curiously through the broken panes.
At length, upon a suggestion of my uncle’s, I decided to try the spot nocturnally; and one stormy midnight ran the beams of an electric torch over the mouldy floor with its uncanny shapes and distorted, half-phosphorescent fungi. The place had dispirited me curiously that evening, and I was almost prepared when I saw—or thought I saw—amidst the whitish deposits a particularly sharp definition of the “huddled form” I had suspected from boyhood. Its clearness was astonishing and unprecedented—and as I watched I seemed to see again the thin, yellowish, shimmering exhalation which had startled me on that rainy afternoon so many years before.
Above the anthropomorphic patch of mould by the fireplace it rose; a subtle, sickish, almost luminous vapour which as it hung trembling in the dampness seemed to develop vague and shocking suggestions of form, gradually trailing off into nebulous decay and passing up into the blackness of the great chimney with a foetor in its wake. It was truly horrible, and the more so to me because of what I knew of the spot. Refusing to flee, I watched it fade—and as I watched I felt that it was in turn watching me greedily with eyes more imaginable than visible. When I told my uncle about it he was greatly aroused; and after a tense hour of reflection, arrived at a definite and drastic decision. Weighing in his mind the importance of the matter, and the significance of our relation to it, he insisted that we both test—and if possible destroy—the horror of the house by a joint night or nights of aggressive vigil in that musty and fungus-cursed cellar.

S4

IV.

On Wednesday, June 25, 1919, after a proper notification of Carrington Harris which did not include surmises as to what we expected to find, my uncle and I conveyed to the shunned house two camp chairs and a folding camp cot, together with some scientific mechanism of greater weight and intricacy. These we placed in the cellar during the day, screening the windows with paper and planning to return in the evening for our first vigil. We had locked the door from the cellar to the ground floor; and having a key to the outside cellar door, we were prepared to leave our expensive and delicate apparatus—which we had obtained secretly and at great cost—as many days as our vigils might need to be protracted. It was our design to sit up together till very late, and then watch singly till dawn in two-hour stretches, myself first and then my companion; the inactive member resting on the cot.
The natural leadership with which my uncle procured the instruments from the laboratories of Brown University and the Cranston Street Armoury, and instinctively assumed direction of our venture, was a marvellous commentary on the potential vitality and resilience of a man of eighty-one. Elihu Whipple had lived according to the hygienic laws he had preached as a physician, and but for what happened later would be here in full vigour today. Only two persons suspect what did happen—Carrington Harris and myself. I had to tell Harris because he owned the house and deserved to know what had gone out of it. Then too, we had spoken to him in advance of our quest; and I felt after my uncle’s going that he would understand and assist me in some vitally necessary public explanations. He turned very pale, but agreed to help me, and decided that it would now be safe to rent the house.
To declare that we were not nervous on that rainy night of watching would be an exaggeration both gross and ridiculous. We were not, as I have said, in any sense childishly superstitious, but scientific study and reflection had taught us that the known universe of three dimensions embraces the merest fraction of the whole cosmos of substance and energy. In this case an overwhelming preponderance of evidence from numerous authentic sources pointed to the tenacious existence of certain forces of great power and, so far as the human point of view is concerned, exceptional malignancy. To say that we actually believed in vampires or werewolves would be a carelessly inclusive statement. Rather must it be said that we were not prepared to deny the possibility of certain unfamiliar and unclassified modifications of vital force and attenuated matter; existing very infrequently in three-dimensional space because of its more intimate connexion with other spatial units, yet close enough to the boundary of our own to furnish us occasional manifestations which we, for lack of a proper vantage-point, may never hope to understand.
In short, it seemed to my uncle and me that an incontrovertible array of facts pointed to some lingering influence in the shunned house; traceable to one or another of the ill-favoured French settlers of two centuries before, and still operative through rare and unknown laws of atomic and electronic motion. That the family of Roulet had possessed an abnormal affinity for outer circles of entity—dark spheres which for normal folk hold only repulsion and terror—their recorded history seemed to prove. Had not, then, the riots of those bygone seventeen-thirties set moving certain kinetic patterns in the morbid brain of one or more of them—notably the sinister Paul Roulet—which obscurely survived the bodies murdered and buried by the mob, and continued to function in some multiple-dimensioned space along the original lines of force determined by a frantic hatred of the encroaching community?
Such a thing was surely not a physical or biochemical impossibility in the light of a newer science which includes the theories of relativity and intra-atomic action. One might easily imagine an alien nucleus of substance or energy, formless or otherwise, kept alive by imperceptible or immaterial subtractions from the life-force or bodily tissues and fluids of other and more palpably living things into which it penetrates and with whose fabric it sometimes completely merges itself. It might be actively hostile, or it might be dictated merely by blind motives of self-preservation. In any case such a monster must of necessity be in our scheme of things an anomaly and an intruder, whose extirpation forms a primary duty with every man not an enemy to the world’s life, health, and sanity.
What baffled us was our utter ignorance of the aspect in which we might encounter the thing. No sane person had even seen it, and few had ever felt it definitely. It might be pure energy—a form ethereal and outside the realm of substance—or it might be partly material; some unknown and equivocal mass of plasticity, capable of changing at will to nebulous approximations of the solid, liquid, gaseous, or tenuously unparticled states. The anthropomorphic patch of mould on the floor, the form of the yellowish vapour, and the curvature of the tree-roots in some of the old tales, all argued at least a remote and reminiscent connexion with the human shape; but how representative or permanent that similarity might be, none could say with any kind of certainty.
We had devised two weapons to fight it; a large and specially fitted Crookes tube operated by powerful storage batteries and provided with peculiar screens and reflectors, in case it proved intangible and opposable only by vigorously destructive ether radiations, and a pair of military flame-throwers of the sort used in the world-war, in case it proved partly material and susceptible of mechanical destruction—for like the superstitious Exeter rustics, we were prepared to burn the thing’s heart out if heart existed to burn. All this aggressive mechanism we set in the cellar in positions carefully arranged with reference to the cot and chairs, and to the spot before the fireplace where the mould had taken strange shapes. That suggestive patch, by the way, was only faintly visible when we placed our furniture and instruments, and when we returned that evening for the actual vigil. For a moment I half doubted that I had ever seen it in the more definitely limned form—but then I thought of the legends.
Our cellar vigil began at 10 p.m., daylight saving time, and as it continued we found no promise of pertinent developments. A weak, filtered glow from the rain-harassed street-lamps outside, and a feeble phosphorescence from the detestable fungi within, shewed the dripping stone of the walls, from which all traces of whitewash had vanished; the dank, foetid, and mildew-tainted hard earth floor with its obscene fungi; the rotting remains of what had been stools, chairs, and tables, and other more shapeless furniture; the heavy planks and massive beams of the ground floor overhead; the decrepit plank door leading to bins and chambers beneath other parts of the house; the crumbling stone staircase with ruined wooden hand-rail; and the crude and cavernous fireplace of blackened brick where rusted iron fragments revealed the past presence of hooks, andirons, spit, crane, and a door to the Dutch oven—these things, and our austere cot and camp chairs, and the heavy and intricate destructive machinery we had brought.
We had, as in my own former explorations, left the door to the street unlocked; so that a direct and practical path of escape might lie open in case of manifestations beyond our power to deal with. It was our idea that our continued nocturnal presence would call forth whatever malign entity lurked there; and that being prepared, we could dispose of the thing with one or the other of our provided means as soon as we had recognised and observed it sufficiently. How long it might require to evoke and extinguish the thing, we had no notion. It occurred to us, too, that our venture was far from safe; for in what strength the thing might appear no one could tell. But we deemed the game worth the hazard, and embarked on it alone and unhesitatingly; conscious that the seeking of outside aid would only expose us to ridicule and perhaps defeat our entire purpose. Such was our frame of mind as we talked—far into the night, till my uncle’s growing drowsiness made me remind him to lie down for his two-hour sleep.
Something like fear chilled me as I sat there in the small hours alone—I say alone, for one who sits by a sleeper is indeed alone; perhaps more alone than he can realise. My uncle breathed heavily, his deep inhalations and exhalations accompanied by the rain outside, and punctuated by another nerve-racking sound of distant dripping water within—for the house was repulsively damp even in dry weather, and in this storm positively swamp-like. I studied the loose, antique masonry of the walls in the fungus-light and the feeble rays which stole in from the street through the screened windows; and once, when the noisome atmosphere of the place seemed about to sicken me, I opened the door and looked up and down the street, feasting my eyes on familiar sights and my nostrils on the wholesome air. Still nothing occurred to reward my watching; and I yawned repeatedly, fatigue getting the better of apprehension.
Then the stirring of my uncle in his sleep attracted my notice. He had turned restlessly on the cot several times during the latter half of the first hour, but now he was breathing with unusual irregularity, occasionally heaving a sigh which held more than a few of the qualities of a choking moan. I turned my electric flashlight on him and found his face averted, so rising and crossing to the other side of the cot, I again flashed the light to see if he seemed in any pain. What I saw unnerved me most surprisingly, considering its relative triviality. It must have been merely the association of any odd circumstance with the sinister nature of our location and mission, for surely the circumstance was not in itself frightful or unnatural. It was merely that my uncle’s facial expression, disturbed no doubt by the strange dreams which our situation prompted, betrayed considerable agitation, and seemed not at all characteristic of him. His habitual expression was one of kindly and well-bred calm, whereas now a variety of emotions seemed struggling within him. I think, on the whole, that it was this variety which chiefly disturbed me. My uncle, as he gasped and tossed in increasing perturbation and with eyes that had now started open, seemed not one but many men, and suggested a curious quality of alienage from himself.
All at once he commenced to mutter, and I did not like the look of his mouth and teeth as he spoke. The words were at first indistinguishable, and then—with a tremendous start—I recognised something about them which filled me with icy fear till I recalled the breadth of my uncle’s education and the interminable translations he had made from anthropological and antiquarian articles in the Revue des Deux Mondes. For the venerable Elihu Whipple was muttering in French, and the few phrases I could distinguish seemed connected with the darkest myths he had ever adapted from the famous Paris magazine.
Suddenly a perspiration broke out on the sleeper’s forehead, and he leaped abruptly up, half awake. The jumble of French changed to a cry in English, and the hoarse voice shouted excitedly, “My breath, my breath!” Then the awakening became complete, and with a subsidence of facial expression to the normal state my uncle seized my hand and began to relate a dream whose nucleus of significance I could only surmise with a kind of awe.
He had, he said, floated off from a very ordinary series of dream-pictures into a scene whose strangeness was related to nothing he had ever read. It was of this world, and yet not of it—a shadowy geometrical confusion in which could be seen elements of familiar things in most unfamiliar and perturbing combinations. There was a suggestion of queerly disordered pictures superimposed one upon another; an arrangement in which the essentials of time as well as of space seemed dissolved and mixed in the most illogical fashion. In this kaleidoscopic vortex of phantasmal images were occasional snapshots, if one might use the term, of singular clearness but unaccountable heterogeneity.
Once my uncle thought he lay in a carelessly dug open pit, with a crowd of angry faces framed by straggling locks and three-cornered hats frowning down on him. Again he seemed to be in the interior of a house—an old house, apparently—but the details and inhabitants were constantly changing, and he could never be certain of the faces or the furniture, or even of the room itself, since doors and windows seemed in just as great a state of flux as the more presumably mobile objects. It was queer—damnably queer—and my uncle spoke almost sheepishly, as if half expecting not to be believed, when he declared that of the strange faces many had unmistakably borne the features of the Harris family. And all the while there was a personal sensation of choking, as if some pervasive presence had spread itself through his body and sought to possess itself of his vital processes. I shuddered at the thought of those vital processes, worn as they were by eighty-one years of continuous functioning, in conflict with unknown forces of which the youngest and strongest system might well be afraid; but in another moment reflected that dreams are only dreams, and that these uncomfortable visions could be, at most, no more than my uncle’s reaction to the investigations and expectations which had lately filled our minds to the exclusion of all else.
Conversation, also, soon tended to dispel my sense of strangeness; and in time I yielded to my yawns and took my turn at slumber. My uncle seemed now very wakeful, and welcomed his period of watching even though the nightmare had aroused him far ahead of his allotted two hours. Sleep seized me quickly, and I was at once haunted with dreams of the most disturbing kind. I felt, in my visions, a cosmic and abysmal loneness; with hostility surging from all sides upon some prison where I lay confined. I seemed bound and gagged, and taunted by the echoing yells of distant multitudes who thirsted for my blood. My uncle’s face came to me with less pleasant associations than in waking hours, and I recall many futile struggles and attempts to scream. It was not a pleasant sleep, and for a second I was not sorry for the echoing shriek which clove through the barriers of dream and flung me to a sharp and startled awakeness in which every actual object before my eyes stood out with more than natural clearness and reality.

S1

V.

I had been lying with my face away from my uncle’s chair, so that in this sudden flash of awakening I saw only the door to the street, the more northerly window, and the wall and floor and ceiling toward the north of the room, all photographed with morbid vividness on my brain in a light brighter than the glow of the fungi or the rays from the street outside. It was not a strong or even a fairly strong light; certainly not nearly strong enough to read an average book by. But it cast a shadow of myself and the cot on the floor, and had a yellowish, penetrating force that hinted at things more potent than luminosity. This I perceived with unhealthy sharpness despite the fact that two of my other senses were violently assailed. For on my ears rang the reverberations of that shocking scream, while my nostrils revolted at the stench which filled the place. My mind, as alert as my senses, recognised the gravely unusual; and almost automatically I leaped up and turned about to grasp the destructive instruments which we had left trained on the mouldy spot before the fireplace. As I turned, I dreaded what I was to see; for the scream had been in my uncle’s voice, and I knew not against what menace I should have to defend him and myself.
Yet after all, the sight was worse than I had dreaded. There are horrors beyond horrors, and this was one of those nuclei of all dreamable hideousness which the cosmos saves to blast an accursed and unhappy few. Out of the fungus-ridden earth steamed up a vaporous corpse-light, yellow and diseased, which bubbled and lapped to a gigantic height in vague outlines half-human and half-monstrous, through which I could see the chimney and fireplace beyond. It was all eyes—wolfish and mocking—and the rugose insect-like head dissolved at the top to a thin stream of mist which curled putridly about and finally vanished up the chimney. I say that I saw this thing, but it is only in conscious retrospection that I ever definitely traced its damnable approach to form. At the time it was to me only a seething, dimly phosphorescent cloud of fungous loathsomeness, enveloping and dissolving to an abhorrent plasticity the one object to which all my attention was focussed. That object was my uncle—the venerable Elihu Whipple—who with blackening and decaying features leered and gibbered at me, and reached out dripping claws to rend me in the fury which this horror had brought.
It was a sense of routine which kept me from going mad. I had drilled myself in preparation for the crucial moment, and blind training saved me. Recognising the bubbling evil as no substance reachable by matter or material chemistry, and therefore ignoring the flame-thrower which loomed on my left, I threw on the current of the Crookes tube apparatus, and focussed toward that scene of immortal blasphemousness the strongest ether radiations which man’s art can arouse from the spaces and fluids of Nature. There was a bluish haze and a frenzied sputtering, and the yellowish phosphorescence grew dimmer to my eyes. But I saw the dimness was only that of contrast, and that the waves from the machine had no effect whatever.
Then, in the midst of that daemoniac spectacle, I saw a fresh horror which brought cries to my lips and sent me fumbling and staggering toward that unlocked door to the quiet street, careless of what abnormal terrors I loosed upon the world, or what thoughts or judgments of men I brought down upon my head. In that dim blend of blue and yellow the form of my uncle had commenced a nauseous liquefaction whose essence eludes all description, and in which there played across his vanishing face such changes of identity as only madness can conceive. He was at once a devil and a multitude, a charnel-house and a pageant. Lit by the mixed and uncertain beams, that gelatinous face assumed a dozen—a score—a hundred—aspects; grinning, as it sank to the ground on a body that melted like tallow, in the caricatured likeness of legions strange and yet not strange.
I saw the features of the Harris line, masculine and feminine, adult and infantile, and other features old and young, coarse and refined, familiar and unfamiliar. For a second there flashed a degraded counterfeit of a miniature of poor mad Rhoby Harris that I had seen in the School of Design Museum, and another time I thought I caught the raw-boned image of Mercy Dexter as I recalled her from a painting in Carrington Harris’s house. It was frightful beyond conception; toward the last, when a curious blend of servant and baby visages flickered close to the fungous floor where a pool of greenish grease was spreading, it seemed as though the shifting features fought against themselves, and strove to form contours like those of my uncle’s kindly face. I like to think that he existed at that moment, and that he tried to bid me farewell. It seems to me I hiccoughed a farewell from my own parched throat as I lurched out into the street; a thin stream of grease following me through the door to the rain-drenched sidewalk.
The rest is shadowy and monstrous. There was no one in the soaking street, and in all the world there was no one I dared tell. I walked aimlessly south past College Hill and the Athenaeum, down Hopkins Street, and over the bridge to the business section where tall buildings seemed to guard me as modern material things guard the world from ancient and unwholesome wonder. Then grey dawn unfolded wetly from the east, silhouetting the archaic hill and its venerable steeples, and beckoning me to the place where my terrible work was still unfinished. And in the end I went, wet, hatless, and dazed in the morning light, and entered that awful door in Benefit Street which I had left ajar, and which still swung cryptically in full sight of the early householders to whom I dared not speak.
The grease was gone, for the mouldy floor was porous. And in front of the fireplace was no vestige of the giant doubled-up form in nitre. I looked at the cot, the chairs, the instruments, my neglected hat, and the yellowed straw hat of my uncle. Dazedness was uppermost, and I could scarcely recall what was dream and what was reality. Then thought trickled back, and I knew that I had witnessed things more horrible than I had dreamed. Sitting down, I tried to conjecture as nearly as sanity would let me just what had happened, and how I might end the horror, if indeed it had been real. Matter it seemed not to be, nor ether, nor anything else conceivable by mortal mind. What, then, but some exotic emanation; some vampirish vapour such as Exeter rustics tell of as lurking over certain churchyards? This I felt was the clue, and again I looked at the floor before the fireplace where the mould and nitre had taken strange forms. In ten minutes my mind was made up, and taking my hat I set out for home, where I bathed, ate, and gave by telephone an order for a pickaxe, a spade, a military gas-mask, and six carboys of sulphuric acid, all to be delivered the next morning at the cellar door of the shunned house in Benefit Street. After that I tried to sleep; and failing, passed the hours in reading and in the composition of inane verses to counteract my mood.
At 11 a.m. the next day I commenced digging. It was sunny weather, and I was glad of that. I was still alone, for as much as I feared the unknown horror I sought, there was more fear in the thought of telling anybody. Later I told Harris only through sheer necessity, and because he had heard odd tales from old people which disposed him ever so little toward belief. As I turned up the stinking black earth in front of the fireplace, my spade causing a viscous yellow ichor to ooze from the white fungi which it severed, I trembled at the dubious thoughts of what I might uncover. Some secrets of inner earth are not good for mankind, and this seemed to me one of them.
My hand shook perceptibly, but still I delved; after a while standing in the large hole I had made. With the deepening of the hole, which was about six feet square, the evil smell increased; and I lost all doubt of my imminent contact with the hellish thing whose emanations had cursed the house for over a century and a half. I wondered what it would look like—what its form and substance would be, and how big it might have waxed through long ages of life-sucking. At length I climbed out of the hole and dispersed the heaped-up dirt, then arranging the great carboys of acid around and near two sides, so that when necessary I might empty them all down the aperture in quick succession. After that I dumped earth only along the other two sides; working more slowly and donning my gas-mask as the smell grew. I was nearly unnerved at my proximity to a nameless thing at the bottom of a pit.
Suddenly my spade struck something softer than earth. I shuddered, and made a motion as if to climb out of the hole, which was now as deep as my neck. Then courage returned, and I scraped away more dirt in the light of the electric torch I had provided. The surface I uncovered was fishy and glassy—a kind of semi-putrid congealed jelly with suggestions of translucency. I scraped further, and saw that it had form. There was a rift where a part of the substance was folded over. The exposed area was huge and roughly cylindrical; like a mammoth soft blue-white stovepipe doubled in two, its largest part some two feet in diameter. Still more I scraped, and then abruptly I leaped out of the hole and away from the filthy thing; frantically unstopping and tilting the heavy carboys, and precipitating their corrosive contents one after another down that charnel gulf and upon the unthinkable abnormality whose titan elbow I had seen.
The blinding maelstrom of greenish-yellow vapour which surged tempestuously up from that hole as the floods of acid descended, will never leave my memory. All along the hill people tell of the yellow day, when virulent and horrible fumes arose from the factory waste dumped in the Providence River, but I know how mistaken they are as to the source. They tell, too, of the hideous roar which at the same time came from some disordered water-pipe or gas main underground—but again I could correct them if I dared. It was unspeakably shocking, and I do not see how I lived through it. I did faint after emptying the fourth carboy, which I had to handle after the fumes had begun to penetrate my mask; but when I recovered I saw that the hole was emitting no fresh vapours.
The two remaining carboys I emptied down without particular result, and after a time I felt it safe to shovel the earth back into the pit. It was twilight before I was done, but fear had gone out of the place. The dampness was less foetid, and all the strange fungi had withered to a kind of harmless greyish powder which blew ash-like along the floor. One of earth’s nethermost terrors had perished forever; and if there be a hell, it had received at last the daemon soul of an unhallowed thing. And as I patted down the last spadeful of mould, I shed the first of the many tears with which I have paid unaffected tribute to my beloved uncle’s memory.
The next spring no more pale grass and strange weeds came up in the shunned house’s terraced garden, and shortly afterward Carrington Harris rented the place. It is still spectral, but its strangeness fascinates me, and I shall find mixed with my relief a queer regret when it is torn down to make way for a tawdry shop or vulgar apartment building. The barren old trees in the yard have begun to bear small, sweet apples, and last year the birds nested in their gnarled boughs.

S5

See You Next Wednesday ~ 4

All of these old paperback books I keep harping on about have been a part of my life for the last thirty five years or so. The stories in them are so familiar to me that I sometimes forget that they might be fresh to others. So, each Wednesday I thought I’d share some of my favourites (at least, the out of copyright ones), illustrated with photographs from an even bigger part of my life, Samantha Webster.

This week we’re turning to a well-loved author more famous for her children’s tales, especially The Railway Children, but Edith Nesbit could also turn her hand to a fine ghost story. This is one of her most well known supernatural tales, the finely written and wonderfully titled…

Man-Size in Marble

~

Edith Nesbit

Although every word of this story is as true as despair, I do not expect people to believe it. Nowadays a “rational explanation” is required before belief is possible. Let me then, at once, offer the “rational explanation” which finds most favour among those who have heard the tale of my life’s tragedy. It is held that we were “under a delusion,” Laura and I, on that 31st of October; and that this supposition places the whole matter on a satisfactory and believable basis. The reader can judge, when he, too, has heard my story, how far this is an “explanation,” and in what sense it is “rational.” There were three who took part in this: Laura and I and another man. The other man still lives, and can speak to the truth of the least credible part of my story.

I never in my life knew what it was to have as much money as I required to supply the most ordinary needs–good colours, books, and cab-fares–and when we were married we knew quite well that we should only be able to live at all by “strict punctuality and attention to business.” I used to paint in those days, and Laura used to write, and we felt sure we could keep the pot at least simmering. Living in town was out of the question, so we went to look for a cottage in the country, which should be at once sanitary and picturesque. So rarely do these two qualities meet in one cottage that our search was for some time quite fruitless. We tried advertisements, but most of the desirable rural residences which we did look at proved to be lacking in both essentials, and when a cottage chanced to have drains it always had stucco as well and was shaped like a tea-caddy. And if we found a vine or rose-covered porch, corruption invariably lurked within. Our minds got so befogged by the eloquence of house-agents and the rival disadvantages of the fever-traps and outrages to beauty which we had seen and scorned, that I very much doubt whether either of us, on our wedding morning, knew the difference between a house and a haystack. But when we got away from friends and house-agents, on our honeymoon, our wits grew clear again, and we knew a pretty cottage when at last we saw one. It was at Brenzett–a little village set on a hill over against the southern marshes. We had gone there, from the seaside village where we were staying, to see the church, and two fields from the church we found this cottage. It stood quite by itself, about two miles from the village. It was a long, low building, with rooms sticking out in unexpected places. There was a bit of stone-work–ivy-covered and moss-grown, just two old rooms, all that was left of a big house that had once stood there–and round this stone-work the house had grown up. Stripped of its roses and jasmine it would have been hideous. As it stood it was charming, and after a brief examination we took it. It was absurdly cheap. The rest of our honeymoon we spent in grubbing about in second-hand shops in the county town, picking up bits of old oak and Chippendale chairs for our furnishing. We wound up with a run up to town and a visit to Liberty’s, and soon the low oak-beamed lattice-windowed rooms began to be home. There was a jolly old-fashioned garden, with grass paths, and no end of hollyhocks and sunflowers, and big lilies. From the window you could see the marsh-pastures, and beyond them the blue, thin line of the sea. We were as happy as the summer was glorious, and settled down into work sooner than we ourselves expected. I was never tired of sketching the view and the wonderful cloud effects from the open lattice, and Laura would sit at the table and write verses about them, in which I mostly played the part of foreground.

We got a tall old peasant woman to do for us. Her face and figure were good, though her cooking was of the homeliest; but she understood all about gardening, and told us all the old names of the coppices and cornfields, and the stories of the smugglers and highwaymen, and, better still, of the “things that walked,” and of the “sights” which met one in lonely glens of a starlight night. She was a great comfort to us, because Laura hated housekeeping as much as I loved folklore, and we soon came to leave all the domestic business to Mrs. Dorman, and to use her legends in little magazine stories which brought in the jingling guinea.

We had three months of married happiness, and did not have a single quarrel. One October evening I had been down to smoke a pipe with the doctor–our only neighbour–a pleasant young Irishman. Laura had stayed at home to finish a comic sketch of a village episode for the Monthly Marplot. I left her laughing over her own jokes, and came in to find her a crumpled heap of pale muslin weeping on the window seat.

“Good heavens, my darling, what’s the matter?” I cried, taking her in my arms. She leaned her little dark head against my shoulder and went on crying. I had never seen her cry before–we had always been so happy, you see–and I felt sure some frightful misfortune had happened.

“What is the matter? Do speak.”

“It’s Mrs. Dorman,” she sobbed.

“What has she done?” I inquired, immensely relieved.

“She says she must go before the end of the month, and she says her niece is ill; she’s gone down to see her now, but I don’t believe that’s the reason, because her niece is always ill. I believe someone has been setting her against us. Her manner was so queer—”

“Never mind, Pussy,” I said; “whatever you do, don’t cry, or I shall have to cry too, to keep you in countenance, and then you’ll never respect your man again!”

She dried her eyes obediently on my handkerchief, and even smiled faintly.

“But you see,” she went on, “it is really serious, because these village people are so sheepy, and if one won’t do a thing you may be quite sure none of the others will. And I shall have to cook the dinners, and wash up the hateful greasy plates; and you’ll have to carry cans of water about, and clean the boots and knives–and we shall never have any time for work, or earn any money, or anything. We shall have to work all day, and only be able to rest when we are waiting for the kettle to boil!”

I represented to her that even if we had to perform these duties, the day would still present some margin for other toils and recreations. But she refused to see the matter in any but the greyest light. She was very unreasonable, my Laura, but I could not have loved her any more if she had been as reasonable as Whately.

“I’ll speak to Mrs. Dorman when she comes back, and see if I can’t come to terms with her,” I said. “Perhaps she wants a rise in her screw. It will be all right. Let’s walk up to the church.”

MiThe church was a large and lonely one, and we loved to go there, especially upon bright nights. The path skirted a wood, cut through it once, and ran along the crest of the hill through two meadows, and round the churchyard wall, over which the old yews loomed in black masses of shadow. This path, which was partly paved, was called “the bier-balk,” for it had long been the way by which the corpses had been carried to burial. The churchyard was richly treed, and was shaded by great elms which stood just outside and stretched their majestic arms in benediction over the happy dead. A large, low porch let one into the building by a Norman doorway and a heavy oak door studded with iron. Inside, the arches rose into darkness, and between them the reticulated windows, which stood out white in the moonlight. In the chancel, the windows were of rich glass, which showed in faint light their noble colouring, and made the black oak of the choir pews hardly more solid than the shadows. But on each side of the altar lay a grey marble figure of a knight in full plate armour lying upon a low slab, with hands held up in everlasting prayer, and these figures, oddly enough, were always to be seen if there was any glimmer of light in the church. Their names were lost, but the peasants told of them that they had been fierce and wicked men, marauders by land and sea, who had been the scourge of their time, and had been guilty of deeds so foul that the house they had lived in–the big house, by the way, that had stood on the site of our cottage–had been stricken by lightning and the vengeance of Heaven. But for all that, the gold of their heirs had bought them a place in the church. Looking at the bad hard faces reproduced in the marble, this story was easily believed.

McThe church looked at its best and weirdest on that night, for the shadows of the yew trees fell through the windows upon the floor of the nave and touched the pillars with tattered shade. We sat down together without speaking, and watched the solemn beauty of the old church, with some of that awe which inspired its early builders. We walked to the chancel and looked at the sleeping warriors. Then we rested some time on the stone seat in the porch, looking out over the stretch of quiet moonlit meadows, feeling in every fibre of our being the peace of the night and of our happy love; and came away at last with a sense that even scrubbing and blackleading were but small troubles at their worst.

Mrs. Dorman had come back from the village, and I at once invited her to a tête-à-tête.

“Now, Mrs. Dorman,” I said, when I had got her into my painting room, “what’s all this about your not staying with us?”

“I should be glad to get away, sir, before the end of the month,” she answered, with her usual placid dignity.

“Have you any fault to find, Mrs. Dorman?”

“None at all, sir; you and your lady have always been most kind, I’m sure—”

“Well, what is it? Are your wages not high enough?”

“No, sir, I gets quite enough.”

“Then why not stay?”

“I’d rather not”–with some hesitation–“my niece is ill.”

“But your niece has been ill ever since we came.”

No answer. There was a long and awkward silence. I broke it.

“Can’t you stay for another month?” I asked.

“No, sir. I’m bound to go by Thursday.”

And this was Monday!

“Well, I must say, I think you might have let us know before. There’s no time now to get any one else, and your mistress is not fit to do heavy housework. Can’t you stay till next week?”

“I might be able to come back next week.”

I was now convinced that all she wanted was a brief holiday, which we should have been willing enough to let her have, as soon as we could get a substitute.

“But why must you go this week?” I persisted. “Come, out with it.”

Mrs. Dorman drew the little shawl, which she always wore, tightly across her bosom, as though she were cold. Then she said, with a sort of effort—

“They say, sir, as this was a big house in Catholic times, and there was a many deeds done here.”

The nature of the “deeds” might be vaguely inferred from the inflection of Mrs. Dorman’s voice–which was enough to make one’s blood run cold. I was glad that Laura was not in the room. She was always nervous, as highly-strung natures are, and I felt that these tales about our house, told by this old peasant woman, with her impressive manner and contagious credulity, might have made our home less dear to my wife.

“Tell me all about it, Mrs. Dorman,” I said; “you needn’t mind about telling me. I’m not like the young people who make fun of such things.”

Which was partly true.

“Well, sir”–she sank her voice–“you may have seen in the church, beside the altar, two shapes.”

“You mean the effigies of the knights in armour,” I said cheerfully.

“I mean them two bodies, drawed out man-size in marble,” she returned, and I had to admit that her description was a thousand times more graphic than mine, to say nothing of a certain weird force and uncanniness about the phrase “drawed out man-size in marble.”

“They do say, as on All Saints’ Eve them two bodies sits up on their slabs, and gets off of them, and then walks down the aisle, in their marble”–(another good phrase, Mrs. Dorman)–“and as the church clock strikes eleven they walks out of the church door, and over the graves, and along the bier-balk, and if it’s a wet night there’s the marks of their feet in the morning.”

“And where do they go?” I asked, rather fascinated.

“They comes back here to their home, sir, and if any one meets them—”

“Well, what then?” I asked.

But no–not another word could I get from her, save that her niece was ill and she must go. After what I had heard I scorned to discuss the niece, and tried to get from Mrs. Dorman more details of the legend. I could get nothing but warnings.

“Whatever you do, sir, lock the door early on All Saints’ Eve, and make the cross-sign over the doorstep and on the windows.”

“But has any one ever seen these things?” I persisted.

“That’s not for me to say. I know what I know, sir.”

“Well, who was here last year?”

“No one, sir; the lady as owned the house only stayed here in summer, and she always went to London a full month afore the night. And I’m sorry to inconvenience you and your lady, but my niece is ill and I must go on Thursday.”

I could have shaken her for her absurd reiteration of that obvious fiction, after she had told me her real reasons.

She was determined to go, nor could our united entreaties move her in the least.

I did not tell Laura the legend of the shapes that “walked in their marble,” partly because a legend concerning our house might perhaps trouble my wife, and partly, I think, from some more occult reason. This was not quite the same to me as any other story, and I did not want to talk about it till the day was over. I had very soon ceased to think of the legend, however. I was painting a portrait of Laura, against the lattice window, and I could not think of much else. I had got a splendid background of yellow and grey sunset, and was working away with enthusiasm at her lace. On Thursday Mrs. Dorman went. She relented, at parting, so far as to say—

“Don’t you put yourself about too much, ma’am, and if there’s any little thing I can do next week, I’m sure I shan’t mind.”

From which I inferred that she wished to come back to us after Hallowe’en. Up to the last she adhered to the fiction of the niece with touching fidelity.

Thursday passed off pretty well. Laura showed marked ability in the matter of steak and potatoes, and I confess that my knives, and the plates, which I insisted upon washing, were better done than I had dared to expect.

Friday came. It is about what happened on that Friday that this is written. I wonder if I should have believed it, if any one had told it to me. I will write the story of it as quickly and plainly as I can. Everything that happened on that day is burnt into my brain. I shall not forget anything, nor leave anything out.

I got up early, I remember, and lighted the kitchen fire, and had just achieved a smoky success, when my little wife came running down, as sunny and sweet as the clear October morning itself. We prepared breakfast together, and found it very good fun. The housework was soon done, and when brushes and brooms and pails were quiet again, the house was still indeed. It is wonderful what a difference one makes in a house. We really missed Mrs. Dorman, quite apart from considerations concerning pots and pans. We spent the day in dusting our books and putting them straight, and dined gaily on cold steak and coffee. Laura was, if possible, brighter and gayer and sweeter than usual, and I began to think that a little domestic toil was really good for her. We had never been so merry since we were married, and the walk we had that afternoon was, I think, the happiest time of all my life. When we had watched the deep scarlet clouds slowly pale into leaden grey against a pale-green sky, and saw the white mists curl up along the hedgerows in the distant marsh, we came back to the house, silently, hand in hand.

“You are sad, my darling,” I said, half-jestingly, as we sat down together in our little parlour. I expected a disclaimer, for my own silence had been the silence of complete happiness. To my surprise she said—

“Yes. I think I am sad, or rather I am uneasy. I don’t think I’m very well. I have shivered three or four times since we came in, and it is not cold, is it?”

“No,” I said, and hoped it was not a chill caught from the treacherous mists that roll up from the marshes in the dying light. No–she said, she did not think so. Then, after a silence, she spoke suddenly—

“Do you ever have presentiments of evil?”

“No,” I said, smiling, “and I shouldn’t believe in them if I had.”

“I do,” she went on; “the night my father died I knew it, though he was right away in the north of Scotland.” I did not answer in words.

She sat looking at the fire for some time in silence, gently stroking my hand. At last she sprang up, came behind me, and, drawing my head back, kissed me.

“There, it’s over now,” she said. “What a baby I am! Come, light the candles, and we’ll have some of these new Rubinstein duets.”

And we spent a happy hour or two at the piano.

At about half-past ten I began to long for the good-night pipe, but Laura looked so white that I felt it would be brutal of me to fill our sitting-room with the fumes of strong cavendish.

“I’ll take my pipe outside,” I said.

“Let me come, too.”

“No, sweetheart, not to-night; you’re much too tired. I shan’t be long. Get to bed, or I shall have an invalid to nurse to-morrow as well as the boots to clean.”

I kissed her and was turning to go, when she flung her arms round my neck, and held me as if she would never let me go again. I stroked her hair.

“Come, Pussy, you’re over-tired. The housework has been too much for you.”

She loosened her clasp a little and drew a deep breath.

“No. We’ve been very happy to-day, Jack, haven’t we? Don’t stay out too long.”

“I won’t, my dearie.”

I strolled out of the front door, leaving it unlatched. What a night it was! The jagged masses of heavy dark cloud were rolling at intervals from horizon to horizon, and thin white wreaths covered the stars. Through all the rush of the cloud river, the moon swam, breasting the waves and disappearing again in the darkness. When now and again her light reached the woodlands they seemed to be slowly and noiselessly waving in time to the swing of the clouds above them. There was a strange grey light over all the earth; the fields had that shadowy bloom over them which only comes from the marriage of dew and moonshine, or frost and starlight.

I walked up and down, drinking in the beauty of the quiet earth and the changing sky. The night was absolutely silent. Nothing seemed to be abroad. There was no skurrying of rabbits, or twitter of the half-asleep birds. And though the clouds went sailing across the sky, the wind that drove them never came low enough to rustle the dead leaves in the woodland paths. Across the meadows I could see the church tower standing out black and grey against the sky. I walked there thinking over our three months of happiness–and of my wife, her dear eyes, her loving ways. Oh, my little girl! my own little girl; what a vision came then of a long, glad life for you and me together!

I heard a bell-beat from the church. Eleven already! I turned to go in, but the night held me. I could not go back into our little warm rooms yet. I would go up to the church. I felt vaguely that it would be good to carry my love and thankfulness to the sanctuary whither so many loads of sorrow and gladness had been borne by the men and women of the dead years.

I looked in at the low window as I went by. Laura was half lying on her chair in front of the fire. I could not see her face, only her little head showed dark against the pale blue wall. She was quite still. Asleep, no doubt. My heart reached out to her, as I went on. There must be a God, I thought, and a God who was good. How otherwise could anything so sweet and dear as she have ever been imagined?

Ma

I walked slowly along the edge of the wood. A sound broke the stillness of the night, it was a rustling in the wood. I stopped and listened. The sound stopped too. I went on, and now distinctly heard another step than mine answer mine like an echo. It was a poacher or a wood-stealer, most likely, for these were not unknown in our Arcadian neighbourhood. But whoever it was, he was a fool not to step more lightly. I turned into the wood, and now the footstep seemed to come from the path I had just left. It must be an echo, I thought. The wood looked perfect in the moonlight. The large dying ferns and the brushwood showed where through thinning foliage the pale light came down. The tree trunks stood up like Gothic columns all around me. They reminded me of the church, and I turned into the bier-balk, and passed through the corpse-gate between the graves to the low porch. I paused for a moment on the stone seat where Laura and I had watched the fading landscape. Then I noticed that the door of the church was open, and I blamed myself for having left it unlatched the other night. We were the only people who ever cared to come to the church except on Sundays, and I was vexed to think that through our carelessness the damp autumn airs had had a chance of getting in and injuring the old fabric. I went in. It will seem strange, perhaps, that I should have gone half-way up the aisle before I remembered–with a sudden chill, followed by as sudden a rush of self-contempt–that this was the very day and hour when, according to tradition, the “shapes drawed out man-size in marble” began to walk.

Having thus remembered the legend, and remembered it with a shiver, of which I was ashamed, I could not do otherwise than walk up towards the altar, just to look at the figures–as I said to myself; really what I wanted was to assure myself, first, that I did not believe the legend, and, secondly, that it was not true. I was rather glad that I had come. I thought now I could tell Mrs. Dorman how vain her fancies were, and how peacefully the marble figures slept on through the ghastly hour. With my hands in my pockets I passed up the aisle. In the grey dim light the eastern end of the church looked larger than usual, and the arches above the two tombs looked larger too. The moon came out and showed me the reason. I stopped short, my heart gave a leap that nearly choked me, and then sank sickeningly.

The “bodies drawed out man-size” were gone, and their marble slabs lay wide and bare in the vague moonlight that slanted through the east window.

Were they really gone? or was I mad? Clenching my nerves, I stooped and passed my hand over the smooth slabs, and felt their flat unbroken surface. Had some one taken the things away? Was it some vile practical joke? I would make sure, anyway. In an instant I had made a torch of a newspaper, which happened to be in my pocket, and lighting it held it high above my head. Its yellow glare illumined the dark arches and those slabs. The figures were gone. And I was alone in the church; or was I alone?

MfAnd then a horror seized me, a horror indefinable and indescribable–an overwhelming certainty of supreme and accomplished calamity. I flung down the torch and tore along the aisle and out through the porch, biting my lips as I ran to keep myself from shrieking aloud. Oh, was I mad–or what was this that possessed me? I leaped the churchyard wall and took the straight cut across the fields, led by the light from our windows. Just as I got over the first stile, a dark figure seemed to spring out of the ground. Mad still with that certainty of misfortune, I made for the thing that stood in my path, shouting, “Get out of the way, can’t you!”

But my push met with a more vigorous resistance than I had expected. My arms were caught just above the elbow and held as in a vice, and the raw-boned Irish doctor actually shook me.

“Would ye?” he cried, in his own unmistakable accents–“would ye, then?”

“Let me go, you fool,” I gasped. “The marble figures have gone from the church; I tell you they’ve gone.”

He broke into a ringing laugh. “I’ll have to give ye a draught to-morrow, I see. Ye’ve bin smoking too much and listening to old wives’ tales.”

“I tell you, I’ve seen the bare slabs.”

“Well, come back with me. I’m going up to old Palmer’s–his daughter’s ill; we’ll look in at the church and let me see the bare slabs.”

“You go, if you like,” I said, a little less frantic for his laughter; “I’m going home to my wife.”

“Rubbish, man,” said he; “d’ye think I’ll permit of that? Are ye to go saying all yer life that ye’ve seen solid marble endowed with vitality, and me to go all me life saying ye were a coward? No, sir–ye shan’t do ut.”

The night air–a human voice–and I think also the physical contact with this six feet of solid common sense, brought me back a little to my ordinary self, and the word “coward” was a mental shower-bath.

“Come on, then,” I said sullenly; “perhaps you’re right.”

He still held my arm tightly. We got over the stile and back to the church. All was still as death. The place smelt very damp and earthy. We walked up the aisle. I am not ashamed to confess that I shut my eyes: I knew the figures would not be there. I heard Kelly strike a match.

“Here they are, ye see, right enough; ye’ve been dreaming or drinking, asking yer pardon for the imputation.”

I opened my eyes. By Kelly’s expiring vesta I saw two shapes lying “in their marble” on their slabs. I drew a deep breath, and caught his hand.

“I’m awfully indebted to you,” I said. “It must have been some trick of light, or I have been working rather hard, perhaps that’s it. Do you know, I was quite convinced they were gone.”

“I’m aware of that,” he answered rather grimly; “ye’ll have to be careful of that brain of yours, my friend, I assure ye.”

He was leaning over and looking at the right-hand figure, whose stony face was the most villainous and deadly in expression.

“By Jove,” he said, “something has been afoot here–this hand is broken.”

And so it was. I was certain that it had been perfect the last time Laura and I had been there.

“Perhaps some one has tried to remove them,” said the young doctor.

“That won’t account for my impression,” I objected.

“Too much painting and tobacco will account for that, well enough.”

“Come along,” I said, “or my wife will be getting anxious. You’ll come in and have a drop of whisky and drink confusion to ghosts and better sense to me.”

“I ought to go up to Palmer’s, but it’s so late now I’d best leave it till the morning,” he replied. “I was kept late at the Union, and I’ve had to see a lot of people since. All right, I’ll come back with ye.”

I think he fancied I needed him more than did Palmer’s girl, so, discussing how such an illusion could have been possible, and deducing from this experience large generalities concerning ghostly apparitions, we walked up to our cottage. We saw, as we walked up the garden-path, that bright light streamed out of the front door, and presently saw that the parlour door was open too. Had she gone out?

“Come in,” I said, and Dr. Kelly followed me into the parlour. It was all ablaze with candles, not only the wax ones, but at least a dozen guttering, glaring tallow dips, stuck in vases and ornaments in unlikely places. Light, I knew, was Laura’s remedy for nervousness. Poor child! Why had I left her? Brute that I was.

We glanced round the room, and at first we did not see her. The window was open, and the draught set all the candles flaring one way. Her chair was empty and her handkerchief and book lay on the floor. I turned to the window. There, in the recess of the window, I saw her. Oh, my child, my love, had she gone to that window to watch for me? And what had come into the room behind her? To what had she turned with that look of frantic fear and horror? Oh, my little one, had she thought that it was I whose step she heard, and turned to meet–what?

She had fallen back across a table in the window, and her body lay half on it and half on the window-seat, and her head hung down over the table, the brown hair loosened and fallen to the carpet. Her lips were drawn back, and her eyes wide, wide open. They saw nothing now. What had they seen last?

The doctor moved towards her, but I pushed him aside and sprang to her; caught her in my arms and cried—

“It’s all right, Laura! I’ve got you safe, wifie.”

She fell into my arms in a heap. I clasped her and kissed her, and called her by all her pet names, but I think I knew all the time that she was dead. Her hands were tightly clenched. In one of them she held something fast. When I was quite sure that she was dead, and that nothing mattered at all any more, I let him open her hand to see what she held.

It was a grey marble finger.

Mg

When Churchyards Yawn, Arrow 1963 (ed. Lady Cynthia Asquith)

A little about the title of my blog. It is, of course, a line from a writer whose work went a long way to shaping the modern horror story, William Shakespeare. Now, there was an author that could craft a chilling tale. If you consider the psychological horror of Macbeth, the serial killer thriller of Richard III, the ghost story of Hamlet or the out and out splatter-fest of Titus Andronicus you realise that Shakespeare was a genre writer through and through (…ok, he liked to do the odd rom-com too, but we’ll forgive him that).

I saw an RSC production of Titus Andronicus a year or so ago. So much blood!

So much blood!

The stage was awash with it, to the point of the bespattered audience members in the front row complaining to the management about the damage done to their clothes, not expecting a gentle evening of high culture to end in a veritable bloodbath.

So, back to the title of the blog. It comes from Hamlet:

Tis now the very witching time of night,
When churchyards yawn and hell itself breathes out
Contagion to this world: now could I drink hot blood,
And do such bitter business as the day
Would quake to look on.

But, as much as I love Shakespeare, this is a blog about mid-20th century horror paperbacks so I didn’t choose the title from Hamlet but from this anthology of ghost stories edited by Lady Cynthia Asquith:

when churchyards yawn copy

Now then, this book isn’t actually from my own collection. Well, it sort of is….it sits on the shelves along with my collection. I’ve collected these horror paperbacks since I was around 10 years old. They fascinated me. I would pick them up from jumble sales whenever I found them (…or whenever I could afford them (times were ‘ard back then)).

Anyway, skip forward ten years or so and I met the girl who was to become my wife. When I first walked into her bedroom her bookshelf stared me in the face…Peter Haining, Dennis Wheatley, Pan Horror, Fontana Ghosts…she had been collecting them since her childhood too! So this book rightly belongs to my wife, Samantha.

I’ve just read that paragraph back to myself. A young man walks into the bedroom of a young lady for the first time and all he can do is obsess about her bookshelf………and that’s not even a euphemism! Well, you play the hand you’re dealt, I suppose.

Contents

The Apple Tree – Elizabeth Bowen

A Little Ghost – Hugh Walpole

The Cotillon – L. P. Hartley

The Buick Saloon – Ann Bridge

A Threefold Cord… – Algernon Blackwood

Opening the Door – Arthur Machen

As In a Glass Dimly – Shane Leslie

The Horns of the Bull – W. S. Morrison

The Man Who Came Back – William Gerhardi

The Unbolted Door – Mrs. Belloc Lowndes

“John Gladwin Says…” – Oliver Onions

Our Feathered Friends – Philip MacDonald

“God Grante That She Lye Stille” – Cynthia Asquith

 

Edited by Lady Cynthia Asquith, this anthology was first published in hardback form by Hutchinson in 1931 and the stories included, although appearing in many anthologies in the following decades, would mostly have been first published here. It’s a classy line-up, Asquith usually stuck with a similar list of authors for her anthologies and, why not? When you can have a contents page like this, why go elsewhere?

The highlights of this anthology for me are The Cotillon by L. P. Hartley and Our Feathered Friends by Philip MacDonald.

Hartley is a master of portraying the dangerous subtext within passionate relationships, as in his novel The Go-Between, and he doesn’t disappoint here in this wonderfully gothic tale set during a masked dance in the middle of winter. 78 masked guests should be present at the dance but, after a sash window is discovered open with the snow blowing in, a 79th masked guest has arrived!

MacDonald offers a very simple tale but tells it in such a hypnotic way it can’t fail to draw the reader in. MacDonald has a very cinematic writing style and uses it well here, at the opening of the story the reader is viewing the two characters as small parts in a panoramic landscape and as the tension increases he slowly pans us in closer and closer until we’re right on top of the action at the gruesome denouement.

For anyone out there that’s new to early to mid-20th century supernatural fiction, you could do a lot worse than getting hold of Lady Cynthia’s anthologies. She breaks no new ground here, most of the authors are well established in their writing careers, but it is a good solid read nonetheless.